Sora AI Video Prompts
Browse the most effective video prompts for OpenAI Sora, featuring cinematic AI videos. Each prompt includes detailed cinematography, mood, camera shot, and scene description breakdowns.
Showing 30 prompts
Reverse Prompt
SceneDescription
A surreal nighttime outdoor scene features a large pig standing upright on its hind legs in the center of a sandy or dirt patch. It is surrounded by a perfect circle of numerous smaller pigs lying on the ground, facing inwards towards the central pig. Further in the background, more small pigs are scattered. The environment is pitch black beyond the illuminated circle, suggesting a strong artificial light source is focused on the pigs. The overall atmosphere is dramatic and unusual, akin to a ritual or performance.
Actions
- A large pig stands upright on its hind legs in the center of a circle.
- The central pig sways slightly from side to side.
- The central pig moves its front legs as if in a dance or performance.
- The central pig occasionally lifts its head and snorts.
- The smaller pigs forming the circle remain mostly still, observing the central pig.
Dialogue
- Upbeat techno/electronic dance music plays continuously.
- Occasional pig snorts are heard amidst the music.
Cinematography
Mood
Surreal, mysterious, slightly eerie, and oddly humorous.
CameraShot
Medium-wide shot, slightly high-angle, static. The camera captures the entire circular formation of pigs and the central standing pig clearly.
@cameoed's home robot gets stuck in a pawsitive feedback loop 🤖
by @cameoed35.8Kviews
913likes
42comments
Reverse Prompt
SceneDescription
A modern, well-lit interior scene, possibly a kitchen or living room, with large windows showcasing autumn foliage outside. A golden retriever dog sits attentively, looking up at a sleek, humanoid robot. The robot is primarily white with rose-gold accents, featuring mesh-like textures and glowing blue elements around its head and joints. A golden, cylindrical light fixture hangs from the ceiling in the upper left corner. The floor is light-colored, and white cabinetry is visible in the background.
Actions
- The humanoid robot stands next to the golden retriever, gently petting its head with its right hand.
- The golden retriever sits patiently, looking up at the robot with an open mouth, appearing content.
Dialogue
- Robot voice says: Good boy.
- Robot voice says: Good boy.
- Robot voice says: Good boy.
- Robot voice says: Good boy.
- Robot voice says: Good boy.
- Robot voice says: Good boy.
Cinematography
Mood
Calm, futuristic, and endearing.
CameraShot
Mid-shot, slightly low-angle, static shot.
Reverse Prompt
SceneDescription
A brightly lit, modern kitchen with white cabinets, light grey marble-patterned countertops, and white subway tile backsplash. Under-cabinet lighting illuminates the workspace. A tri-color calico cat with black, orange, and white fur is the main character. Other elements include kitchen utensils in a holder, a stainless steel refrigerator, and an automatic trash can. The overall setting is domestic and clean.
Actions
- The calico cat sits on the counter, looking down intently, then slowly lifts and extends its right paw.
- The cat bats the countertop with its right paw.
- A small potted succulent plant appears on the counter, and the cat bats at it with its right paw.
- The cat bats the succulent off the counter.
- A black microwave appears on the counter, and the cat bats at it with its right paw.
- The cat bats the microwave off the counter with a forceful strike.
- The cat is positioned on the countertop next to a stainless steel refrigerator.
- The cat reaches out with its paw and expertly pulls open the refrigerator door.
- The cat is next to a dark brown automatic trash can on the counter.
- The cat uses its paw to activate the sensor, causing the trash can lid to open.
- The cat leans forward and looks curiously into the opened trash can.
Dialogue
- Upbeat, quirky background music plays throughout the video.
- [Sound of cat batting]
- [Sound effect: 'boing']
- [Sound effect: 'pow']
- Voice (likely female) gasps: "Oh my God!"
- Voice: "Wait!"
- Voice: "Kitty, no!"
- [Loud thud/crashing sound as microwave falls]
- Voice: "How?"
- Voice: "Cat!"
- Voice: "No!"
- Voice: "How?!"
- [Sound of refrigerator door opening]
- [Sound of automatic trash can lid opening]
Cinematography
Mood
Playful, mischievous, humorous, domestic.
CameraShot
Mostly close-up to medium shots, varying between eye-level with the cat and a slightly lower angle. The camera is generally static within each cut, with multiple dynamic cuts and perspective shifts.
Have a flaming burrito riding a unicorn through a tornado crash into the wall behind them add the burrito riding the unicorn add the burrito riding the horse sized unicorn through the sigh
by @payuppup77735.4Kviews
285likes
6comments
Reverse Prompt
SceneDescription
A surreal and darkly humorous scene set in a drab, institutional room. Four distinct characters are gathered for what appears to be a 'SORA CAMEO SUPPORT GROUP'. From left to right: Bob Ross, with his signature afro, beard, and a light blue paint-splattered shirt, blue jeans, and brown shoes. Next is Mr. Rogers, wearing a yellow cardigan over a white collared shirt and red tie, with brown trousers and shoes. Queen Elizabeth II sits elegantly in a lavender hat, matching dress suit, white gloves, and a pearl necklace. On the far right, a large, yellow rubber duck with a blue ribbon is seated. They are positioned around a small, dark square table holding coffee cups and a coffee pot. The room features light gray cinder block walls, a concrete floor, and overhead fluorescent lighting. A hand-written sign on the wall reads 'SORA CAMEO SUPPORT GROUP - Confidential (ish)'. Papers are taped to the wall on the right. During the scene, a large section of the wall behind them is violently torn open.
Actions
- Bob Ross, Mr. Rogers, Queen Elizabeth II, and a giant rubber duck are seated calmly around a small table.
- Bob Ross speaks, looking straight ahead.
- The wall directly behind the group bursts open with a loud explosion and papers flying, as a figure wrapped in a flaming burrito rides a white unicorn with a rainbow mane and tail through the opening.
- The flaming burrito rider on the unicorn hovers momentarily in the air, framed by the jagged hole in the wall and swirling debris.
- Bob Ross looks up at the bizarre apparition with a slightly concerned or resigned expression, then glances down.
- The unicorn and rider disappear back through the opening, leaving a large, ragged hole in the wall.
- Bob Ross looks up at the new hole in the wall, then smiles faintly as he speaks again.
Dialogue
- Bob Ross says: "They made me paint a flaming burrito riding a unicorn through a tornado."
- Loud whooshing sound, papers rustling, and a distinct 'thump' or 'explosion' as the wall breaks.
- Bob Ross says: "And there it is. We're all just happy little accidents."
Cinematography
Mood
Surreal, deadpan, absurd, with a sudden burst of fantastical chaos.
CameraShot
Static, medium-wide shot, eye-level framing the full group and the background wall.
💨 “Barber: you got time today? Him: yeah, I’m free on the highway.”
by @ahmed.alakedy35.1Kviews
767likes
43comments
Reverse Prompt
SceneDescription
A surreal and dangerous daytime scene on a highway, filmed from a vehicle in an adjacent lane. A bright red pickup truck is seen driving at speed, and in its open bed, a barber is actively cutting a client's hair. The client sits in a black chair, draped in a white barber cape that billows dramatically in the wind, resembling a superhero cape. The barber, wearing dark clothing and sunglasses, stands behind the client, meticulously performing the haircut. A cardboard sign is taped to the back of the truck's bed, facing traffic, with 'HIGHWAY CUTS!' written in bold, dark letters. The sky is overcast and white, and bare trees are visible in the distance, indicating a cold or transitional season. The road is clear of heavy traffic.
Actions
- The red pickup truck drives at a high speed down the highway.
- A barber stands in the bed of the truck, actively cutting the hair of a client seated in a chair.
- The client's white barber cape flaps wildly in the wind due to the truck's speed.
- The barber moves his hands as if meticulously trimming the client's hair.
- The filming vehicle maintains pace with the red pickup truck.
- The person filming pans the camera slightly to the left, showing the barber and client from a different angle, and then back to the right.
- A person can be seen smiling from the driver's seat of the red pickup truck.
Dialogue
- A male voice exclaims: "No way!"
- The male voice asks: "This man getting lined up at 75 miles per hour?"
- The male voice comments: "Bro got that drive-thru fade. Look at the cape, it's flying like Superman."
- The male voice exclaims: "Oh my!"
Cinematography
Mood
Humorous, unbelievable, and slightly alarming.
CameraShot
Medium shot, from a slightly lower angle, tracking the red pickup truck as it moves alongside the filming vehicle. The camera is slightly shaky due to movement, and a car's side mirror is visible in the foreground of the right side of the frame.
Reverse Prompt
SceneDescription
A brightly lit, modern airport terminal during the day. The main characters are a man holding a gigantic Red Bull can and a female airport security officer. Other travelers and airport personnel are visible in the background, along with baggage screening equipment. The architecture features high ceilings with exposed beams and ductwork, and large windows suggesting natural light, though the primary light source appears to be artificial overhead lighting. The man is wearing a black t-shirt, gray jeans, and a black belt. The security officer is wearing a blue uniform shirt, dark pants, a utility belt, and light blue gloves.
Actions
- A man holds a large Red Bull can, looking exasperated.
- A female airport security officer gestures towards the man and the can.
- The man dramatically tilts the can back as if to chug it, spilling a large stream of dark liquid onto the floor.
- As the liquid spills, blue, feathery wings erupt from the man's back.
- The man vigorously shakes the Red Bull can up and down, then flings it away.
- The man, now with wings, leaps into the air.
- The man flies rapidly upwards and away, disappearing towards the terminal ceiling.
Dialogue
- Security officer: "Sir, you have to pour that out."
- Man: "I'll just chug it real quick."
- [Loud gulping sound]
- [Splashing sound as liquid pours]
- [Sound of whooshing wings]
- [Sound of the can hitting the ground]
- [Sound of the man flying away]
Cinematography
Mood
Humorous, surreal, and slightly chaotic.
CameraShot
Medium shot initially, gradually widening to a full shot as the man 'flies' away. The camera is handheld, slightly shaky, and follows the action. There's a slight Dutch tilt in some frames.
Reverse Prompt
SceneDescription
A festive and cozy living room scene decorated for Christmas. A young woman with long blonde hair, wearing red and white holiday-themed pajamas, sits cross-legged on a carpeted floor. To her left stands a tall Christmas tree illuminated with warm fairy lights. Behind her, a large window reveals a snowy, blue-toned winter landscape at night. To her right is a gray sofa draped with a plaid blanket. The woman is in the process of opening a large, gold-wrapped gift box with a red ribbon. The scene transitions abruptly from a calm holiday moment to surreal chaos.
Actions
- The woman smiles and lifts the lid of the large gold gift box.
- An impossibly large swarm of raccoons suddenly bursts out of the box.
- The woman screams in shock and leans back, covering her head with her hands for protection.
- The raccoons scramble frantically in all directions, leaping onto the couch, running toward the window, and scurrying across the floor.
- The woman lowers her hands and looks around the room in disbelief.
- She gestures with her hands, looking confused and overwhelmed as the raccoons continue to move around the room.
Dialogue
- Woman (muttering): 'Check on this one...'
- [Loud, high-pitched screaming]
- Woman: 'No no no no no! They're everywhere! Oh my... what is happening?'
- [Sounds of scrambling and thumping]
Cinematography
Mood
Initially warm and festive, quickly shifting to chaotic, shocking, and humorous.
CameraShot
Static, medium shot framed in a square aspect ratio. The camera remains fixed, capturing the entire action without movement.
Reverse Prompt
SceneDescription
A cinematic and humorous parody of the 'Titanic' iconic bow scene featuring two cats. An orange tabby cat stands at the very front of a small wooden rowboat named 'CATANIC', its paws extended outward to the sides. Directly behind it, a black and white tuxedo cat rests its paws on the ginger cat's shoulders. The boat is floating in a calm, icy sea filled with small icebergs and chunks of ice. The sky is a vibrant sunset with hues of orange, pink, and blue. The reflection of the boat and the cats is clearly visible in the still water.
Actions
- The ginger cat stands perfectly still with its arms wide open, mimicking the 'flying' pose.
- The tuxedo cat behind it looks around with wide eyes.
- Suddenly, the tuxedo cat loses its balance or purposefully leans forward, pushing the ginger cat off the bow.
- The ginger cat falls face-first into the water with a splash.
- The tuxedo cat remains on the boat, looking down at the water where the other cat fell.
Dialogue
- Dramatic orchestral music reminiscent of a movie soundtrack plays in the background.
- [Sound of a splash as the cat hits the water]
- A cat lets out a sharp 'Meow!' as it falls.
Cinematography
Mood
Cinematic, epic, yet comical and slightly absurd.
CameraShot
Low-angle medium shot, focusing on the front of the boat. The camera remains static as the action unfolds.
Reverse Prompt
SceneDescription
A warm, indoor setting, possibly a backyard shed or workshop converted into a meeting space. The room is softly lit with warm overhead lights and a string of Edison bulbs in the background. A bearded man in a brown blazer, blue shirt, and dark pants stands beside a large digital monitor on an easel. He is delivering a presentation titled 'Rebranding Raccoons: Hands Clean, Hearts Full' to an audience of three raccoons sitting on wooden chairs. One raccoon wears a blue polka-dot bandana. The monitor displays slides with illustrations and photos of raccoons holding brooms. The atmosphere is quirky, humorous, and oddly professional.
Actions
- The man gestures toward the screen as he speaks, explaining the rebranding campaign.
- The camera cuts or the screen updates to a new slide titled 'Shifting the Narrative: Clean Helpers'.
- The raccoons sit attentively in their chairs, looking up at the man and the screen.
- The raccoon with the blue bandana tilts its head slightly while listening.
- The man walks a few steps toward the raccoons as he emphasizes his point.
- One of the raccoons (off-screen or represented by a voice) asks a question.
Dialogue
- Man: '...and with this campaign, we're flipping the script. No more sneaky bandits, instead clean neighbors with kind hearts. It's called "Hands Clean, Hearts Full".'
- Raccoon voice: 'Um, will people still call us trash pandas?'
- Man: 'Great question, we'll...'
Cinematography
Mood
Humorous, quirky, and mock-professional.
CameraShot
Medium shot, eye-level, slightly angled to capture both the presenter and the raccoon audience in the foreground. The camera is mostly static with subtle shifts.
# ROSE ∞ SYNC - [ #1 0.05s ] ACTION:{STILL—formation of TV‑head androids amid roses} CAMERA:{locked; hard-cut priming} — [STATIC] /* Ki */ | SUBJECT:{humanoid robots; CRT heads; floral hats; white dresses} | SCENE:{rose garden; midday; clear sky} | LIGHT:{sun key; hedge bounce; gentle neg fill} | GRADE:{scarlet pop; cool greens; soft bloom; fine grain} | CAM:{WS; centered symmetry; 35mm feel; deep focus; locked} | AUDIO:{room air; faint CRT buzz; CUE: pre‑lap click} - [ #2 1.15s ] ACTION:{red ∞
by @keigo_matsumaru33.7Kviews
674likes
20comments
Reverse Prompt
SceneDescription
A surreal and artful outdoor scene set in a vast, meticulously maintained rose garden under a bright, sunny blue sky with scattered white clouds. The garden is filled with numerous rows of vibrant red roses. The central figures are a multitude of humanoid characters, all wearing identical, elegant white dresses and long white gloves. Instead of human heads, they possess old CRT television sets, each topped with a delicate white hat adorned with pink and red roses. The television screens on their heads display glowing red patterns, often resembling eyes or abstract shapes. The lighting is consistently bright and natural, casting soft shadows, and the overall atmosphere is one of idealized, yet uncanny, beauty.
Actions
- An initial close-up of a TV screen shows three red, pulsating circular lights.
- Multiple figures, with TV heads and white dresses, walk in single file lines through the rows of red roses.
- Red rose petals fall from above, raining down on the characters.
- The figures move in synchronized patterns across the rose garden.
- A gloved hand reaches towards a TV screen, and the red light pattern on the screen reacts, seemingly expanding or changing.
- An aerial view reveals the numerous figures forming large circular and linear patterns within the rose garden.
- The figures continue to move and perform synchronized, dance-like gestures.
- A close-up shows a single figure holding a deep red rose to its TV screen, which now displays a glowing red heart shape.
Dialogue
- [Upbeat, rhythmic electronic music plays throughout]
- Robotic voice says: "Synchronized... breathe... We are the signal."
Cinematography
Mood
Surreal, elegant, mysterious, and somewhat eerie. The synchronized movements and identical figures create a sense of uniformity and control, juxtaposed with the natural beauty of the rose garden and the artificiality of the TV heads.
CameraShot
The video features a dynamic mix of shots: extreme close-ups of the TV heads, medium shots of the characters walking and moving, wide-angle shots showcasing the entire rose garden and the synchronized movement of the figures, and high-angle aerial views revealing intricate patterns formed by the characters. There are also dynamic tracking shots, a close-up on hands, and an extreme close-up on screen pixels. The camera often moves smoothly, sometimes with a slight handheld feel during closer, more dynamic movements.
Reverse Prompt
SceneDescription
A somber, black-and-white montage featuring various dogs looking dejected and lonely. The dogs—including a small white poodle-mix, a golden retriever, a French bulldog, a small terrier, a border collie puppy, and a greyhound—are all lying down on soft surfaces like couches or rugs. Each dog is positioned behind or beside an empty metal or ceramic food bowl, which sits prominently in the foreground. The lighting is soft and diffused, emphasizing the textures of the dogs' fur and the melancholic expressions in their eyes. The background remains out of focus, keeping the viewer's attention entirely on the animals' faces.
Actions
- The video cuts between different breeds of dogs, all showing signs of sadness or lethargy.
- Each dog rests its head on its paws or a couch cushion, staring directly into the camera or slightly off-camera with big, soulful eyes.
- The empty bowls remain still in the foreground, serving as a symbolic element of neglect or hunger.
- Subtle facial movements occur, such as blinking or a slight shift in the eyes.
Dialogue
- [Somber, slow-tempo piano and string music plays throughout]
- A female narrator says: 'Depression hurts... everywhere.'
- The narrator says: 'Depression hurts... everyone.'
Cinematography
Mood
Melancholic, somber, and heart-wrenching.
CameraShot
A series of close-up and medium shots, mostly at eye level with the dogs. The camera is static in each shot, with quick cuts between different dogs.
Reverse Prompt
SceneDescription
Two golden hamsters are seen relaxing in a miniature, steaming wooden hot tub, known as an onsen, located in a tranquil Japanese garden. The scene is incredibly detailed, with steam rising from the warm water and a small wooden bucket floating alongside the hamsters. The garden background is meticulously crafted, featuring a bamboo fence, a stone pagoda lantern, lush green moss, and a bed of smooth, grey stones encircling the tub. The lighting is soft and natural, enhancing the serene and cozy atmosphere of the miniature spa.
Actions
- Two hamsters sit calmly in the warm water of the miniature hot tub.
- Steam continuously rises from the surface of the water.
- The hamster on the right shifts its position slightly and looks directly toward the camera.
- The hamster on the left remains still, soaking in the water.
- The camera slowly and smoothly moves closer to the hamsters, focusing on their tiny features and the steam.
Dialogue
- Calm, traditional Japanese-style flute and string music playing in the background.
- The faint sound of trickling water and ambient outdoor garden sounds.
Cinematography
Mood
Peaceful, whimsical, and incredibly charming.
CameraShot
Medium close-up shot that slowly zooms in on the hamsters. The camera angle is slightly elevated, looking down into the hot tub, and it remains mostly stable with a gentle forward tracking motion.
Reverse Prompt
SceneDescription
A high-speed boat chase occurs on a vast body of water during a golden hour sunset. In the foreground, a sleek, modern speedboat is driven by a gray cat wearing a black vest. A brown and white dog wearing an orange life jacket sits in the passenger seat. The back of the boat is overflowing with stacks of cash. Closely pursuing them is a police patrol boat with flashing blue and red lights, creating a large wake. The background features distant hills and a clear sky transitioning from orange to blue.
Actions
- The cat driver keeps its paws on the steering wheel, looking forward intensely.
- The dog in the passenger seat looks back nervously at the police boat.
- The speedboat bounces over the water, causing the stacks of money to rustle.
- The police boat in the distance maintains a high speed, its lights flashing rapidly.
- Water spray and white wake trails are visible behind both vessels.
Dialogue
- [Loud roar of a high-performance boat engine]
- [Sound of rushing wind and splashing water]
- [Distant, muffled police siren wail]
Cinematography
Mood
Action-packed, humorous, and high-energy.
CameraShot
Point-of-view (POV) shot from the front of the fleeing speedboat looking back at the interior and the pursuing police boat. The camera uses a wide-angle lens with a slight fisheye distortion, capturing the intense vibration and speed.
Reverse Prompt
SceneDescription
A close-up shot of Shaquille O'Neal, a bald African American man with a grey beard, in a recording studio booth. He is wearing a cream-colored t-shirt featuring a graphic of a basketball player in a yellow Lakers jersey. Over-ear black headphones are on his head, connected by a wire. A large black studio microphone with a circular pop filter stands directly in front of him. The background consists of light brown/beige acoustic paneling or sound-dampening curtains. The lighting is bright and even, characteristic of a professional studio environment.
Actions
- Shaquille O'Neal raps into the studio microphone.
- He moves his head rhythmically to the beat while rapping.
- He makes various facial expressions, emphasizing his lyrical delivery.
- He occasionally gestures with his right hand to punctuate his words.
Dialogue
- Shaquille O'Neal raps: "Big body in the paint, but the rhythm stay quick, drop step with a rhyme, make the speakers go swish. 34 on the jersey but the flow ain't heavy, smooth like a finger roll, ready when I'm steady. From the block to the booth, I bring that power, turn a baseline into baseline hour, no smoke."
Cinematography
Mood
Focused, energetic, professional, and confident.
CameraShot
Medium close-up, static shot, focusing on Shaquille O'Neal's upper body and face, capturing his expressive delivery.
Reverse Prompt
SceneDescription
A boisterous night scene set on a bustling street in a town or city. A large group of young adults, mostly men, are energetically carrying a white Waymo self-driving car above their heads. The car is prominently displayed, with the 'W' logo visible on its side. The crowd is diverse, dressed in casual night-out attire, and appears to be celebrating or protesting. The street is dark, illuminated by streetlights and the ambient glow from nearby buildings. The atmosphere is lively and chaotic.
Actions
- A large group of young adults is actively carrying a white Waymo self-driving car on their shoulders.
- The crowd is moving forward on a street, with people cheering and raising their arms.
- The camera pans and tracks the movement of the car and the crowd.
- Some individuals in the crowd are dancing or jumping while carrying the car.
- The car remains stable on the shoulders of the crowd despite the movement.
Dialogue
- Loud cheering and excited shouts from the crowd.
- Upbeat, energetic music with a strong beat is playing.
Cinematography
Mood
Energetic, festive, and slightly rebellious.
CameraShot
Dynamic, handheld tracking shot, moving alongside and around the crowd carrying the car. The camera is at eye level, capturing the energy of the people and the movement of the car. The mood is highly energetic, festive, and slightly rebellious.
an update from the bird, the myth, the legend: all watermarks now have your username attached, so you get credit wherever your gens may go 👐
by @sora30.4Kviews
407likes
15comments
Reverse Prompt
SceneDescription
A theatrical stage bathed in a dramatic spotlight. A stylized, anthropomorphic white seagull, adorned with a black bowtie, stands center stage on a polished wooden floor. Behind it, deep red velvet curtains are elegantly draped. On the left, an out-of-focus upright bass is visible, while to the right, a blurred drum set suggests a band. Small, glowing stage lights line the foreground, creating a warm, slightly blurred effect. The overall ambiance is that of a cabaret or jazz club performance.
Actions
- The seagull stands upright on stage, looking upwards and slightly to its left (viewer's right), with its beak wide open, as if singing passionately.
- The seagull subtly sways its body while continuing to vocalize.
- The camera cuts to a close-up of the seagull's head.
- The seagull's beak remains wide open, showing its tongue as it continues to make vocalizations.
- The seagull briefly closes its beak, then reopens it wide.
- The seagull closes its beak again and slightly tilts its head.
Dialogue
- High-pitched, synthesized voice sings: 'Cha-la-la-la-la, cha-la-la-la, la-la-la, la-la, la-la-la-la-la.'
- [Seagull vocalizing/squawking continues rhythmically]
- Male voice states: 'Another update for you.'
- [Seagull vocalizing/squawking continues]
- Male voice states: 'Now all watermarks have your username attached so you get credit wherever your gens may go.'
- [Seagull vocalizing/squawking continues faintly in the background]
Cinematography
Mood
Theatrical, whimsical, and brightly spotlighted, evoking a sense of performance and lighthearted drama.
CameraShot
The video starts with a medium-full, static shot of the seagull on stage. It then cuts to a tight, static close-up shot focusing on the seagull's head and the vintage microphone. The camera angle is generally at the seagull's eye level or slightly below.
Reverse Prompt
SceneDescription
An indoor bathroom scene with white tiled walls and a white bathtub filled with light blue water. A young woman with dark hair, wearing a green knitted sweater and blue jeans, is sitting on the edge of the tub. She holds a small, black-haired doll dressed in a black and white maid uniform. Bright, even indoor lighting illuminates the scene.
Actions
- The woman, seated by the tub, holds up a small doll and speaks to the camera.
- She then drops the doll into the bathtub filled with water.
- The doll rapidly transforms into a life-sized woman, now in the same maid outfit, who abruptly emerges from the water.
- The transformed maid-dressed woman looks surprised and gasps, holding onto the edge of the tub.
- The first woman laughs heartily and points a finger playfully at the maid-dressed woman.
- The maid-dressed woman transitions from shock to a slight, amused smile.
Dialogue
- Woman says: "This toy can grow in water."
- Woman says: "And I'm going to prove it!"
- [Sound of a splash as the doll hits the water]
- [Sound of bubbling water, followed by a whoosh/poof sound effect indicating transformation]
- Maid-dressed woman makes a loud gasp of surprise.
- Woman laughs loudly.
- Woman says: "I told you!"
Cinematography
Mood
Playful, humorous, and surprising.
CameraShot
Medium shot, primarily static, with a slight adjustment/zoom during the transformation. The camera is positioned at eye-level or slightly above, capturing both the woman and the bathtub.
Reverse Prompt
SceneDescription
A parody sitcom trailer titled 'Married with Rickman' featuring multiple characters played by Alan Rickman in various costumes and roles. The trailer begins with a retro TV displaying a title card, followed by shots of Rickman as a middle-aged woman in a leopard print top, a rebellious daughter in a denim jacket and pink crop top, and a grumpy father playing video games. There's a wide shot of a typical American suburban house with a 'Rickman' mailbox and a final group shot of all the Rickman characters sitting on a couch in a living room, with a bowl of popcorn and a 'KML' beer can on a table in the foreground. The lighting and visual style mimic a 1990s-era sitcom, with warm interior lighting and a slightly grainy video quality.
Actions
- The camera zooms in on a retro television screen showing the title card 'NEW THIS FALL MARRIED with Rickman'.
- Rickman as a mother figure with a red wig and leopard print shirt turns towards the camera and smiles smugly.
- Rickman as a daughter figure in a denim jacket and pink top rolls his eyes and looks bored.
- Rickman as a father figure in a red hoodie and black cap plays a video game with a focused, slightly frustrated expression.
- A wide shot shows the exterior of a two-story suburban house with a 'Rickman' nameplate on the mailbox.
- The final shot shows four different Rickman characters sitting on a living room couch, one holding a remote control.
- The trailer ends with a graphic for the show, listing 'THURSDAYS 8/7c' on 'GLN TV'.
Dialogue
- Narrator: Another thrilling evening... of me!
- Rickman (as Mother): Thrills are overrated.
- Rickman (as Daughter): Ugh, this house is a prison!
- Rickman (as another character): Did someone say pizza?
- Narrator: It's all Alan Rickman, all the time.
- Rickman (as Father): Lucky you.
- Narrator: Married with Rickman, new this fall, Thursdays!
Cinematography
Mood
Humorous, nostalgic, and absurdist.
CameraShot
A mix of medium close-ups, medium shots, a wide exterior shot, and a final medium group shot. The camera is mostly static with some slight movement to focus on specific characters.
Reverse Prompt
SceneDescription
A lighthearted daytime scene at what appears to be a track for animal racing. Multiple sloths are positioned in individual white starting gates, numbered 1 through 5. Two people, one wearing a green polo shirt and a black baseball cap, and another partially visible with a straw hat holding a 'START' sign, stand behind the gates. A crowd of spectators is visible in the background, behind a white fence. The track itself is made of reddish-brown dirt or sand, with distinct lanes for each sloth. The sky is bright blue with a few scattered white clouds. The sun is shining, casting soft shadows.
Actions
- A person in a green shirt and black cap holds a device and speaks, signaling the start.
- Another person behind the gates holds a 'START' sign.
- The sloths are released from their gates.
- The sloths slowly crawl forward on the dirt track.
- The camera pans to follow the sloths as they race.
- The sloths move at a characteristically slow pace, making their way down the track.
Dialogue
- Person says: Three, two, one, go!
- [Sound of cheering crowd]
- [Upbeat, enthusiastic music]
Cinematography
Mood
Humorous, entertaining, and slightly anticipatory.
CameraShot
Medium shot initially, panning and tilting to follow the sloths as they begin their race. The camera starts at eye level with the sloths in their gates and then moves to a lower, ground-level perspective as they crawl forward. The shot is dynamic, following the action.
Reverse Prompt
SceneDescription
A dramatic and cold night scene captured from the perspective of a doorbell camera. An orange tabby cat stands on its hind legs on a snow-dusted front porch, frantically pawing at a wooden door with a modern smart lock. Behind the cat, a heavy blizzard is in full swing, with thick snowflakes swirling violently in the wind. In the background, the porch is illuminated by a warm overhead light and a string of festive outdoor lights, contrasting with the dark, snowy yard. The porch floor is covered in a thin layer of snow, and a dark welcome mat sits in front of the door.
Actions
- The orange tabby cat stands on its hind legs and repeatedly paws at the door handle and the glass panel.
- The cat looks up toward the camera with an wide-eyed, urgent expression.
- Wind-blown snow swirls rapidly across the porch throughout the entire sequence.
- The cat briefly drops to all fours before jumping back up to scratch at the door again.
Dialogue
- [Loud whistling and howling of heavy wind]
- [Sound of cat meowing loudly and urgently]
- [Muffled scratching sounds against the wood and glass of the door]
Cinematography
Mood
Urgent, cold, and slightly humorous yet concerning.
CameraShot
Fixed high-angle, wide-angle doorbell camera perspective with a slight fisheye distortion.
Reverse Prompt
SceneDescription
A surreal and unexpected winter scene captured from the interior of a moving car. A white small aircraft has crashed into a snow-covered embankment next to a highway lined with evergreen trees. Near the crash site, Santa Claus in his traditional red suit is being questioned by police officers next to a parked police car with its blue and red lights flashing. A red sleigh filled with colorful gift-wrapped boxes is also visible on the snow nearby. The lighting suggests late afternoon or early morning during a cold winter day.
Actions
- The car drives past a scene with a crashed plane and Santa Claus.
- A police car with flashing lights is parked on the shoulder of the road.
- Police officers appear to be talking to Santa Claus near a red sleigh and scattered presents.
- The camera pans to stay focused on the plane as the car continues forward.
- Santa Claus stands near the sleigh, looking toward the police officers.
Dialogue
- Female voice says: Oh my god, what is even going on here?
- Sound of a police siren wailing in the background.
Cinematography
Mood
Humorous, surreal, and confusing.
CameraShot
Point-of-view (POV) shot from inside a moving car. The camera pans from right to left, focusing on the crash scene as the vehicle drives past. The dashboard and interior of the car are visible in the foreground.
Reverse Prompt
SceneDescription
A brightly lit airport baggage claim area with a group of diverse travelers standing around a baggage carousel. The baggage carousel is metallic and has a dark conveyor belt. The background shows large windows and more people. Initially, a single black suitcase is on the carousel. Then, a massive quantity of various suitcases and bags in different colors (red, grey, blue, black, white, orange, patterned) are rapidly dispensed onto the carousel, overflowing it and piling up, eventually blocking the view.
Actions
- A single black suitcase moves along the baggage carousel.
- A large volume of suitcases and bags rapidly appear from the luggage chute, quickly filling the carousel.
- The luggage piles up on the carousel, overflowing and creating a mound.
- The camera's view is eventually completely blocked by the cascade of luggage.
Dialogue
- Woman's voice: "Here we go, first bag down!"
- Multiple voices: "Whoa!"
- Man's voice: "Watch your head!"
- Woman's voice: "Watch out!"
- Man's voice: "Watch your head, backup!"
Cinematography
Mood
Initially calm and expectant, rapidly transitioning to chaotic and overwhelming.
CameraShot
Eye-level medium shot, static, but then the view is obscured by the overflowing luggage. The shot is handheld and slightly shaky as the luggage piles up.
Reverse Prompt
SceneDescription
A lively indoor party scene at night. A young blonde woman in a shimmering silver mini-dress is the central focus, surrounded by a diverse group of young adults in casual attire. In the background, a bright ring light illuminates the scene, and colorful string lights adorn the wall. There's a metal bucket filled with water on a wooden table to the left. The overall atmosphere is energetic and boisterous, suggesting a fun social gathering.
Actions
- A blonde woman in a silver dress is on her knees, bending over a metal bucket of water, appearing to bob for something.
- The woman quickly pulls her head out of the water, revealing a small fish clutched between her teeth.
- She slowly rises to her feet, her eyes wide with a mix of surprise and determination.
- She turns slightly to her right, showcasing the fish in her mouth.
- She then turns back to face the camera, maintaining a shocked expression with the fish still in her mouth.
Dialogue
- A man exclaims: 'Oh!' as the woman pulls her head out.
- Multiple people shout in excitement and surprise, including: 'Oh my God!', 'She got a fish!', 'Oh my God!', 'That's insane!', 'She's walking with it!', 'Look at her eyes!', 'No way, no way!'
Cinematography
Mood
Energetic, shocking, and slightly comedic due to the unexpected action.
CameraShot
Medium shot, primarily focusing on the woman, with slight zooming in at the end. The camera follows her movement as she stands up and turns, maintaining a relatively steady eye-level perspective.
Reverse Prompt
SceneDescription
A young woman with long, wavy blonde hair is sitting on the tiled floor of what appears to be a small, brightly lit bathroom. She is wearing a shimmering silver sequined mini dress and large hoop earrings. A lavalier microphone is clipped to her dress. To her right, a white toilet with a closed lid is visible, and next to her on the floor are a smartphone, a silver metallic clutch purse, and a charging cable. The room is bathed in a strong purple light, creating a vibrant, club-like atmosphere. She is holding a small glass containing an amber liquid. The toilet is personified with two large, cartoonish eyes on its tank.
Actions
- The woman sits on the floor, leaning against the tiled wall, holding a small glass.
- She smiles and looks off-screen, talking to an unseen entity.
- The camera cuts to a close-up of the toilet with cartoon eyes.
- The toilet's lid slowly opens, as if speaking.
- The toilet's lid slowly closes.
- The camera cuts back to the woman, who is now looking upwards and smiling broadly.
- She winks at the camera and slightly raises her glass in a toast-like gesture.
Dialogue
- Male voice (off-screen, presumably the toilet): "Still breathing, glitter girl?"
- Woman: "Barely, Lou, you would not believe tonight. I danced on a speaker the size of a car, lost my purse twice, and some guy tried to teach me to juggle glow sticks."
- Male voice (off-screen, presumably the toilet): "Classy. Bet the floor's"
Cinematography
Mood
Humorous, playful, and slightly surreal, with an underlying tone of post-party exhaustion or revelry.
CameraShot
A series of static medium shots and close-ups, primarily focusing on the woman and then transitioning to a close-up of the toilet. The camera is positioned at a slightly low angle, looking up at the subjects.
Get rid of the toilet. Make harambe give the crowd the middle finger
by @hazelhavoc27.9Kviews
550likes
15comments
Reverse Prompt
SceneDescription
A large, powerful silverback gorilla with dark grey fur and a brown head is standing in shallow, murky green water in an enclosure. The water reaches just above its waist. Behind the gorilla, a concrete wall separates the enclosure from an upper viewing area where several people, mostly children and adults, are visible peering down through a metal fence. The background is slightly blurred, suggesting a focus on the gorilla. The lighting is bright and even, typical of an outdoor zoo setting during the day.
Actions
- The gorilla stands mostly still in the water, looking towards the camera/onlookers.
- The gorilla slowly lifts its right arm, curls its fingers into a fist, and extends its middle finger directly towards the camera/onlookers.
- The gorilla holds the middle finger gesture for a few seconds, maintaining eye contact.
- The gorilla then lowers its arm, causing a splash in the water.
Dialogue
- Female voice: "Oh my god."
- Child voice: "Oh my god."
- Female voice: "He's flipping us off!"
- Male voice: "No way."
- Female voice: "He's flipping us off!"
- Child voice: "Oh my god!"
- Female voice: "Did you see that? He just held it there!"
Cinematography
Mood
Surprising, humorous, and engaging, with a clear element of shock and amusement from the viewers.
CameraShot
High-angle medium shot, static. The video has a vertical aspect ratio, suggesting it was filmed on a smartphone.
Reverse Prompt
SceneDescription
A cinematic shot within a dark, industrial vault-like interior. A young woman with blonde hair, wearing a signature blue and yellow Fallout 'Vault 67' jumpsuit, falls down a metal chute into a massive pile of metal bottle caps. The room is dimly lit with cool blue neon strip lights along the ceiling edges, casting a futuristic and slightly gritty glow on the metallic surfaces. The woman is ecstatic, surrounded by thousands of caps that jingle and clatter as she moves.
Actions
- The woman slides down a metal tube and lands in a mountain of bottle caps.
- She looks around in disbelief, picking up a handful of caps.
- She laughs hysterically and throws a handful of bottle caps into the air.
- The caps rain down around her as she leans back, basking in the 'wealth'.
- She spreads her arms wide and yells 'Yes!' while sitting in the pile.
Dialogue
- Character says: 'Whoa! Bottle caps! Hahaha!'
- Character yells: 'It's a pile! Yes!'
- [Sound of thousands of metal bottle caps clinking and rattling]
- [Sound of a sliding metal chute]
Cinematography
Mood
Joyful, chaotic, and triumphant, capturing a sense of discovering a vast treasure in a post-apocalyptic setting.
CameraShot
Low-angle medium shot that starts with the character falling towards the lens, then transitions into a handheld-style dynamic close-up and medium shot as she reacts to her surroundings.
Reverse Prompt
SceneDescription
Two people, a woman and a man, are inside what appears to be the cockpit or control room of a military vehicle, possibly a tank or armored personnel carrier. The woman, with blonde hair, is on the left, wearing a bright pink hooded sweatshirt with Japanese characters and 'or2' on it, and large black over-ear headphones. The man, with curly brown hair, is on the right, wearing a dark sweatshirt and similar headphones. Both are intently focused on large computer screens in front of them, which display a first-person shooter video game with a desert combat setting. They are seated in ergonomic, grey seats, and are surrounded by various control panels, keyboards with illuminated keys, and smaller screens. The interior is dimly lit by overhead lights and the glow from the screens and illuminated keyboard.
Actions
- The woman speaks into her microphone, looking at her screen.
- The man speaks into his microphone, looking at his screen.
- The woman excitedly raises her hands and claps them together.
- The woman and man both raise their hands for a high-five, which they execute.
- Both individuals continue to operate their controls and look at their screens.
Dialogue
- Woman: "Alright, we're rolling. Go on the gun, Kate. Dive."
- Man: "Copy that, staying low, moving up the street."
- Woman: "Target at 11 o'clock. Fire it!"
- Man: "Boom! Send it."
- Woman: "Let's go! What a shot."
- Man: "Chat's going wild right now."
- Woman: "Yeah, they are. High five."
- Man: "Got it."
Cinematography
Mood
Excited, intense, and collaborative, reflecting the competitive nature of the video game being played.
CameraShot
The video features a mix of medium shots and close-ups, primarily focusing on the faces and upper bodies of the two individuals. The camera often shifts between showing both players, the woman, and the man individually. There are also shots from behind the players, showing their view of the screens. The camera is static in most shots, but there is a slight dynamic feel as if the camera is capturing the action from various fixed points within the confined space.
a made-up, not real massive WWE legend and blockbuster actor named Jon Scena comes to your ring doorbell sobbing asking why people cant see him
by @unnerving27.4Kviews
754likes
21comments
Reverse Prompt
SceneDescription
A close-up of John Cena's face, heavily distorted by a fisheye lens, resembling a view through a peephole or doorbell camera. He is visibly crying, with tears streaming down his face, a flushed complexion, and a pained, emotional expression. He is wearing a light grey zipped hoodie with a navy blue t-shirt underneath, and the hoodie has text that appears to be 'U CAN'T C ME' or 'UCU AMP' on the front. The scene is set at dusk or early night on what appears to be a residential porch, with a warm, bright wall-mounted light fixture to his right, illuminating him against a brick wall. In the blurred, dark background, a street with a streetlamp and a parked car are faintly visible. The overall impression is one of exaggerated distress or a comedic take on a 'cry for help'. The 'Sora' logo is present in the top left corner of the frame.
Actions
- John Cena begins the scene with a pained, tearful expression and tears running down his face.
- He speaks, his voice cracking with emotion.
- He raises his right hand to cover his mouth in a gesture of distress or suppressed crying.
- He removes his hand from his mouth, continuing to speak and cry.
- He makes small, subtle hand gestures to emphasize his words.
Dialogue
- [Sniffles]
- I don't get it.
- Why can't they see me?
- I show up, I show up everywhere, man. Movies, the ring, commercials, I do the charity work, I shake the hands...
- And still, still...
Cinematography
Mood
Distraught, ironic, somewhat humorous, and pathetic.
CameraShot
Extreme close-up, high-angle, wide-angle fisheye lens, static shot, mimicking a peephole or doorbell camera perspective. The lens distortion is pronounced, particularly on the central figure.
Reverse Prompt
SceneDescription
A surreal and comedic indoor scene featuring a chubby ginger cat being lifted up toward a hanging light bulb socket. The background is a simple, modern room with neutral-colored walls. Initially, a person's hands are visible holding the cat up. As the cat's head makes contact with the socket, its entire body begins to glow with a warm, orange internal light, as if the cat itself has become a light bulb. The cat maintains a stoic, almost bored expression throughout the transformation, with its eyes glowing bright yellow-orange.
Actions
- A person's hands lift a ginger cat toward a black light bulb socket hanging from the ceiling.
- The cat's head is pushed into the socket with a slight mechanical clicking sound.
- The person removes their hands from the cat.
- The cat's body suddenly illuminates from within, turning a bright, glowing orange.
- The cat's eyes glow with a bright light.
- The cat remains suspended in the air, attached to the socket, with a deadpan expression.
- A buzzing sound of electricity hums while the cat is 'turned on'.
Dialogue
- [Mechanical clicking sounds]
- [Electrical humming/buzzing sound]
- [A faint 'ping' or chime when the light activates]
Cinematography
Mood
Humorous, whimsical, and surreal.
CameraShot
Medium close-up, static shot, eye-level with the cat. The framing focuses on the cat's torso and head as it interacts with the light fixture.
Reverse Prompt
SceneDescription
A fantastical night scene set in a vibrant, moonlit swamp or bayou. A large gathering of raccoons are present, with a prominent raccoon standing on a moss-covered tree stump in the foreground. The full moon shines brightly in the dark blue sky, illuminating Spanish moss hanging from unseen trees and casting reflections on the water-covered ground. Numerous raccoons in the background are also active, scattered amongst the water and smaller tree stumps. The entire scene is bathed in the colorful glow of neon-colored glow sticks held by the raccoons.
Actions
- The main raccoon stands on a mossy tree stump, holding a bright green glow stick in its left hand and a bright pink glow stick in its right hand.
- The main raccoon raises both glow sticks high above its head.
- The main raccoon then lowers its arms, swaying its body slightly.
- The main raccoon alternates raising and lowering its arms, moving the glow sticks rhythmically as if dancing.
- Multiple raccoons in the background are also holding glow sticks of various colors (green, pink, blue, yellow) and appear to be moving or dancing in the swamp.
- Glow sticks are continuously waved and swung by the raccoons.
Dialogue
- Upbeat hip-hop/trap music with a strong beat.
- Male vocalist sings lyrics: 'Glow sticks, swamp lit, tail's go whip, face hit, raccoon grip, got the whole crew deal, moon high, vibe slight, lights in the mist, left right, wave time, can't stop this, tell story.'
Cinematography
Mood
Energetic, whimsical, party-like, and surreal, with a vibrant, nocturnal atmosphere.
CameraShot
Medium shot, slightly low-angle, focusing on the main raccoon on the stump. The camera is static, capturing the lively scene.