Sora AI Video Prompts
Browse the most effective video prompts for OpenAI Sora, featuring cinematic AI videos. Each prompt includes detailed cinematography, mood, camera shot, and scene description breakdowns.
Showing 30 prompts
Reverse Prompt
SceneDescription
A dark, ominous night scene on a residential porch. A large, tawny mountain lion, or cougar, is the central figure. The porch features a blue front door, white siding, and a white wooden railing. Seasonal autumn/Halloween decorations are present: a large cornstalk bundle tied to the door frame, two orange pumpkins (one carved, one uncarved) on a welcome mat, and a potted plant with fall foliage further down the porch. The scene is brightly illuminated by an overhead porch light, creating stark shadows, while the background beyond the porch remains in deep darkness.
Actions
- A large mountain lion rapidly enters the porch from the right side of the frame.
- The mountain lion immediately targets and begins to aggressively attack the cornstalk decoration next to the front door.
- It tears at the cornstalk with its claws and teeth, pulling it away from its tether and scattering pieces onto the welcome mat.
- The animal briefly pauses its assault, looking around the porch.
- It resumes tearing and shredding the cornstalk, moving closer to the door.
- The mountain lion then shifts its focus to the pumpkins on the welcome mat.
- It bats at the carved pumpkin, pushing it across the mat.
- The mountain lion grasps the carved pumpkin firmly in its mouth.
- Holding the pumpkin, the mountain lion turns and exits the frame to the left.
Dialogue
- Loud, violent tearing and thrashing sounds as the mountain lion attacks the cornstalk.
- Heavy thumping and scraping sounds as the pumpkin is moved and picked up.
- Distinct grunts and growls from the mountain lion throughout its interaction with the decorations.
Cinematography
Mood
Startling, intense, raw, and surprising.
CameraShot
Static, wide-angle shot from a high-mounted security camera or doorbell cam, capturing the entire porch from a slightly elevated perspective. A subtle fisheye distortion is visible at the edges of the frame.
Reverse Prompt
SceneDescription
Three individuals wearing full-body monkey costumes are dancing on the roof of a green vehicle, likely an auto-rickshaw or a small van, as it moves along a busy street in what appears to be an urban or semi-urban setting in India. The monkey costumes feature realistic monkey faces and hooded tracksuits in vibrant primary colors: red, yellow, and blue. They are all wearing clean white sneakers. The sky is bright blue with scattered white clouds, suggesting a daytime scene. In the background, other vehicles like auto-rickshaws and cars, as well as buildings and utility poles, are visible. The overall aesthetic is bright and somewhat surreal due to the monkey costumes.
Actions
- Three figures in monkey costumes are dancing synchronously on the roof of a moving vehicle.
- The monkey in the red costume extends its arms out to the sides while stepping from side to side.
- The monkey in the yellow costume sways its hips and arms, taking wide steps.
- The monkey in the blue costume mirrors the movements of the yellow monkey, with some subtle variations in arm gestures.
- The monkeys shift their weight and move their feet in a rhythmic fashion.
- The yellow monkey brings its hands together in a prayer-like gesture at the end of the video.
Dialogue
- Upbeat, rhythmic electronic dance music with a strong beat.
Cinematography
Mood
Playful, energetic, and slightly bizarre.
CameraShot
Medium shot, eye-level, static from the perspective of being slightly above and in front of the monkeys, looking down slightly onto the roof of the vehicle. The camera is stabilized, creating a smooth visual despite the moving vehicle and dancing figures.
When your cat thinks he's brave enough for the big water slide... but ends up in full panic mode from the first drop 🐱💦🛝
by @dreemx26.2Kviews
673likes
37comments
Reverse Prompt
SceneDescription
A surreal and comical outdoor scene at a water park. A tabby cat with wide, panicked eyes and an open mouth is shown sliding down a large, colorful water slide. The slide features vibrant segments of orange, green, yellow, and blue. The cat is sliding on its back with its paws splayed out, appearing to scream in a cartoonish fashion. The water park background includes elements of other slides and tropical-style structures. The lighting is bright, direct sunlight, characteristic of a clear summer day, creating sharp shadows and sparkling water effects.
Actions
- The tabby cat slides rapidly down the multicolored water slide on its back.
- The cat has its mouth wide open as if screaming and its eyes are dilated in shock.
- The cat's paws are spread wide as it navigates the curves of the slide.
- Water splashes around the cat as it moves through the shallow stream on the slide's surface.
- The cat plunges into a pool of blue water at the end of a slide segment with a large splash.
- The cat emerges from the water, still maintaining its shocked expression, and continues sliding into the next section.
Dialogue
- [Sound of rushing water]
- [High-pitched, comical feline 'screaming' sounds]
- [Large splashing sound as the cat hits the water pool]
Cinematography
Mood
Humorous, chaotic, and high-energy.
CameraShot
Close-up tracking shot that follows the cat's descent down the slide. The camera moves rapidly with the cat, maintaining a tight focus on its face and torso to capture its dramatic expression.
Reverse Prompt
SceneDescription
A nighttime wilderness camping scene captured with a night vision camera, giving everything a distinct green hue. A man is sleeping soundly on an air mattress under a green tarp shelter, which is pitched in a wooded area. To the left of the man, on the ground, are camping items including what appears to be a metal cup or pot and some flat rocks. A large bear approaches the sleeping man from behind and then leans over him. The background is dark, showing the silhouettes of trees.
Actions
- A man lies sleeping on an air mattress under a green tarp.
- A large bear slowly approaches the man from behind.
- The bear leans down over the sleeping man, sniffing his head and neck area.
- The bear then settles down next to the man, looking directly at the camera with an intense gaze.
Dialogue
- [Sound of crickets chirping]
- [Sound of a bear breathing heavily]
- [Rustling sounds from the bear's movements]
Cinematography
Mood
Tense, alarming, and realistic.
CameraShot
Medium shot, static, eye-level, using a night vision filter.
Reverse Prompt
SceneDescription
A close-up of a small monkey wearing glasses and a red sweater, sitting at a wooden table in what appears to be a Starbucks coffee shop. The monkey is intently focused on an open book placed in front of it. To the left, a white Starbucks mug with a latte art heart is visible. The background is blurred, showing the interior of the coffee shop with warm lighting, other tables, and a counter area where customers and staff can be vaguely seen through a large window.
Actions
- The monkey sits still, holding an open book with both hands.
- The monkey glances up slightly from the book.
- The monkey reaches its right hand towards the Starbucks mug.
- The monkey takes a small sip from the Starbucks mug.
- The monkey places its right hand back on the book, resuming its reading posture.
Dialogue
- Soft jazz music plays in the background.
- Ambient coffee shop sounds: murmuring, occasional clinking of cups.
- A female voice says: "Caramel macchiato for Jenna."
Cinematography
Mood
Cozy, intellectual, and humorous.
CameraShot
Medium close-up, static shot. The camera is positioned slightly above the monkey, looking down.
Reverse Prompt
SceneDescription
A dramatic and chaotic scene unfolding within a large, brightly lit indoor wrestling arena. A massive, sturdy steel cage with chain-link walls encloses a professional wrestling ring, which has a white canvas and red turnbuckle pads. A large brown bear is the central figure, initially perched on top of the cage, and subsequently inside the ring. Bright spotlights illuminate the action, highlighting the cage and ring, while blurred outlines of a large crowd are visible in the background, adding to the intense atmosphere. Inside the ring, a wrestler in purple attire and a referee in a blue shirt are present.
Actions
- A large brown bear stands on the very top of the steel wrestling cage, looking down into the ring.
- The bear leaps forcefully from the top of the cage, falling several feet down into the wrestling ring below.
- The bear lands heavily on the white canvas of the wrestling ring, causing the canvas to visibly sag under its weight.
- The bear quickly moves towards a person in purple wrestling attire who is crouching or kneeling in the ring.
- The bear stands on its hind legs and appears to swipe at the person in purple, who falls prone to the canvas.
- The bear then moves slightly away from the person on the ground, walking around the ring inside the cage.
Dialogue
- Commentator: 'He's going away!'
- Commentator: 'The bear's climbing the cage!'
- Commentator: 'He's at the top! Somebody stop him!'
- Commentator: 'A whole ring shook!'
- Commentator: 'The bear just crushed the canvas!'
- Commentator: 'He's mauling everyone inside the ring!'
- Loud crowd cheers and roars throughout the sequence.
Cinematography
Mood
Chaotic, intense, shocking, and highly dramatic, with an underlying sense of surprise and danger.
CameraShot
Medium shot, static, positioned at roughly eye-level to the ring, capturing the action inside the cage and the bear's initial position on top. The shot remains stable throughout the dynamic sequence.
Reverse Prompt
SceneDescription
A bright, sunny outdoor scene in a desert landscape with sandy hills and sparse dry vegetation in the background. The foreground features a complex, water-based obstacle course constructed with large red inflatable balls, blue inflatable platforms, and blue and orange scaffolding structures. A female news reporter stands in front of this course, wearing a light-colored blazer over a white top. Two participants in athletic wear (one in a green long-sleeve shirt and black shorts, the other in a blue t-shirt, both wearing helmets and knee pads) are seen attempting the course. A uniformed individual (possibly border patrol or event staff) in a green uniform, hat, and sunglasses observes in the background.
Actions
- A female news reporter stands, holding a 'NEWS 8' microphone, and speaks directly to the camera, with the obstacle course visible in the background.
- Two participants, wearing helmets and athletic gear, attempt to traverse a water-based obstacle course by crawling over large red inflatable balls.
- The participant in the green shirt falls off the red inflatable ball into the water.
- The participant in the blue shirt also falls off the red inflatable ball into the water.
- The female news reporter returns to the frame, speaking into her microphone and smiling slightly.
Dialogue
- Reporter says: 'Border officials are calling it the toughest immigration policy yet. A 10-stage obstacle course built where the old fence once stood. Anyone hoping to cross legally must finish...'
Cinematography
Mood
Informative, dynamic, and challenging, conveying the seriousness of a news report while showcasing the physical difficulty of the event.
CameraShot
The video alternates between a medium close-up, static shot of the reporter speaking, and medium-to-close dynamic shots of the obstacle course in action. The action shots feature slight panning to follow participants and a brief Dutch angle when a participant falls. The overall framing is typical of a news report, clearly showing both the speaker and the relevant event.
Reverse Prompt
SceneDescription
A chaotic and surreal scene takes place inside a modern city bus during the daytime. A large, tan kangaroo has somehow boarded the bus, causing panic among the few passengers. The bus features blue upholstered seats and yellow handrails. The driver, wearing a bright orange safety vest, is visible in the driver's seat, looking shocked. Outside the windows, a typical urban street with buildings and parked cars can be seen under overcast lighting. The interior is brightly lit by natural light coming through the large windows.
Actions
- The kangaroo hops onto the blue bus seats, looking confused and startled.
- Passengers scream and duck away as the kangaroo moves through the aisle.
- The camera pans quickly from the front of the bus toward the back to keep the kangaroo in frame.
- The kangaroo jumps back down into the aisle and looks around toward the passengers.
- A passenger in the back cringes away as the kangaroo approaches.
- The kangaroo eventually hops toward the open doors to exit.
Dialogue
- Several passengers shouting in panic: 'Is that a 'roo?!', 'Oh my god!', 'Stay back!', 'Open the door, let it out! Go on!'
Cinematography
Mood
Chaotic, alarming, and absurd.
CameraShot
Handheld, shaky camera work that pans and tilts rapidly to follow the kangaroo's movement, creating a sense of frantic realism and panic.
Reverse Prompt
SceneDescription
A chaotic scene inside an airplane cabin where a seemingly endless stream of kittens is falling out of an overhead compartment. The cabin is brightly lit, with rows of blue airline seats visible. Passengers, a mix of men and women of various ethnicities, are in their seats, some looking shocked, others amused, and some even reaching out to catch the falling felines. The man and woman in the foreground are actively involved, with the woman in a light green top and gray pants and the man in a dark top and pants. The overall atmosphere is one of humorous absurdity.
Actions
- A torrent of small kittens, mostly orange and calico, pours out of an open overhead compartment.
- The woman in the light green top in the foreground attempts to catch some of the falling kittens with her hands.
- The man next to her, in a dark top, also reaches out, seemingly trying to catch kittens or duck.
- Passengers in the background react with a mix of laughter, surprise, and amusement, some recording with phones.
- Kittens continue to fall and bounce off the seats and floor.
- The camera slightly zooms in towards the end of the clip as more kittens descend.
Dialogue
- Man's voice (off-screen): 'What in the bag is going on?'
- Man's voice (off-screen): 'Oh my god.'
- Woman's voice (off-screen): 'Where are they coming from?'
- Woman's voice (off-screen): 'There can't be that many in there.'
- Man's voice (off-screen): 'Just calm everyone down.'
- Man's voice (off-screen): 'Oh wow, okay, they're still coming.'
- Woman's voice (off-screen): 'Loom, loom, what the-'
Cinematography
Mood
Humorous, chaotic, and surreal.
CameraShot
Medium shot, eye-level, handheld, capturing the immediate chaos and passenger reactions. The shot is slightly shaky, contributing to the chaotic mood.
Reverse Prompt
SceneDescription
A bright, clear autumn day in a suburban neighborhood. The scene is set on a wooden porch or deck in front of a white-sided house. In the background, there are green lawns, trees with colorful fall foliage, a street, and other houses. A person in a full, realistic dark gorilla costume stands on the porch, dressed in a tan Girl Scout uniform shirt, a green vest with patches, and a bandolier that appears to hold small, cylindrical objects. The gorilla is holding several boxes of what appear to be Girl Scout cookies. A black welcome mat is visible on the right side of the porch. The scene is captured with a distinct fisheye lens effect, characteristic of a doorbell or security camera.
Actions
- The gorilla, dressed as a Girl Scout, stands on the porch, holding cookie boxes, and looks directly at the camera.
- The gorilla reacts to a voice from inside the house.
- The gorilla's expression changes to one of extreme rage, and it begins to roar loudly, dropping the cookie boxes.
- The gorilla jumps up and stomps its foot down forcefully on the wooden porch floor.
- The wooden planks of the porch floor splinter and break apart, creating a large, jagged hole.
- The gorilla falls through the newly created hole in the porch floor, disappearing from view.
- The camera remains static, showing the gaping hole in the porch and the scattered cookie boxes on the remaining planks.
Dialogue
- A voice from inside the house says: "We already bought some from the neighbor."
- [Loud, enraged gorilla roar/scream]
- [Sound of wood splintering and breaking loudly]
- [Thudding sound as the gorilla falls]
Cinematography
Mood
Initially humorous and absurd, transitioning to shocking and comically destructive.
CameraShot
High-angle, extreme wide-angle fisheye lens, mimicking a doorbell camera or security camera view. The shot is static. There are horizontal scan lines, suggesting an old or low-quality digital video aesthetic.
Reverse Prompt
SceneDescription
A humorous and slightly eerie Halloween night scene, viewed through an extreme wide-angle fisheye lens, mimicking a doorbell camera or peephole. A man, comically distorted by the lens, is centered in the frame. He wears a beige baseball cap, a light blue collared shirt, and a beige vest, and holds an orange, jack-o'-lantern-shaped candy bucket. Behind him, on either side, are two grotesque, green-skinned goblin-like figures, serving as Halloween decorations. The background is a dark blue twilight sky with a bright moon or distant light source, and a street lined with dimly lit houses and several glowing jack-o'-lanterns on lawns. The immediate foreground shows the arched frame of a doorway.
Actions
- A man appears in the center of the frame, holding a pumpkin candy bucket.
- The man speaks rapidly and animatedly, looking directly into the camera with a wide, exaggerated smile.
- He briefly reaches his right hand out towards the camera.
- He pulls on his right earlobe while continuing to speak.
- He gestures with his right hand towards the goblin figures behind him.
- He points down into his pumpkin bucket with his left hand.
- He briefly extends his arms outwards in an energetic motion.
- He leans slightly forward towards the camera, maintaining his excited expression.
Dialogue
- Man says, with rapid, nonsensical enthusiasm: 'Hee-yah-ba-da-ba-ne-ne-zip-zip, hoochie-ma-ma, open up, I got a pumpkin full of nothing, b-b-b-b-trick-o-roo-n-toot, know what I mean?'
- Man says: 'Hey, you see them fellas back there? Greasy gnomes want to nugg-it, hobblety-hop, skiddly-scoot, come on now, clank!'
Cinematography
Mood
Humorous, energetic, quirky, and slightly unsettling due to the distortion and goblin figures.
CameraShot
High-angle, extreme wide-angle fisheye lens, static shot, simulating a doorbell camera or peephole perspective.
Reverse Prompt
SceneDescription
A brightly lit indoor scene in a living room. A woman with dark hair tied back in a bun, wearing a light-colored long-sleeved shirt and blue jeans, kneels on a light-colored patterned rug. Beside her, a fluffy, light brown dog sits attentively. In front of them on the rug is a black communication device with multiple white, blue, and pink circular buttons. In the background, there's a light-colored sofa with throw pillows and a wooden coffee table, suggesting a cozy home environment. Large windows with natural light coming through are visible in the background.
Actions
- The dog extends its right paw towards the communication device.
- The dog presses a white button on the device with its paw.
- The woman leans in slightly, listening intently to the device.
- The woman reacts with surprise and a slight laugh.
- The dog presses the button again.
- The woman playfully gestures towards the dog with her hand.
- The woman leans back slightly, then forward again with an amused expression.
Dialogue
- Woman asks: "What's your favorite word today?"
- Device says: "I hate you."
- Woman exclaims: "No way! Okay, that's rude."
- Device says: "I hate you."
- Woman exclaims: "You don't mean that!"
- Device says: "I hate you."
- Woman says: "Oh my god!"
Cinematography
Mood
Playful and interactive.
CameraShot
Medium shot, eye-level, static.
Reverse Prompt
SceneDescription
A close-up, outdoors scene featuring a man widely known as Salt Bae (Nusret Gökçe) performing his signature salt-sprinkling gesture. He is wearing a white tank top, dark trousers, and round sunglasses. His hair is slicked back into a ponytail. He stands behind a wooden cutting board upon which sits a large, sliced tomahawk steak, cooked medium-rare. The background is a bright, sunny plaza with palm trees and modern white buildings under a clear blue sky. The lighting is natural and intense, creating sharp shadows and highlighting the texture of the salt falling onto the meat.
Actions
- The man holds his hand high, pinching salt between his fingers.
- He releases the salt, letting it cascade down his forearm and onto the sliced steak.
- The salt accumulates in a thick white layer on the wooden board and the meat.
- The man maintains a focused, almost stoic expression behind his sunglasses throughout the action.
Dialogue
- [Ambient outdoor sounds: distant chatter of people, light wind, and the faint sound of the salt hitting the wooden board.]
Cinematography
Mood
Confident, stylized, and iconic.
CameraShot
Low-angle, medium close-up shot focusing on the man's arm and the steak. The camera is static, emphasizing the theatricality of the movement.
Reverse Prompt
SceneDescription
A warm, inviting indoor setting, possibly a home, with soft, ambient lighting. The scene begins with a light-skinned woman, with shoulder-length brown hair and wearing a beige knitted sweater, smiling and talking to a dark-skinned man. The man, with a short beard and wearing an olive green button-up shirt, is partially visible. The woman then changes her attire, reappearing in a red and black plaid shirt, denim overalls, and a blue denim newsboy cap. She opens a wooden door to reveal a vast, dimly lit room housing an elaborate miniature model train set. The model depicts a detailed town with numerous miniature houses, shops, tunnels, mountains, and evergreen trees, all intricately lit with tiny streetlights and building lights, creating a magical nighttime scene. A dark green train engine, pulling carriages, moves along the winding tracks of the railway, which crisscrosses through the miniature landscape. The man observes this spectacle with an expression of awe and surprise.
Actions
- The woman smiles and speaks to the man.
- The man listens attentively and responds.
- The woman walks out of the frame.
- The woman re-enters the frame, now dressed in a red and black plaid shirt, denim overalls, and a blue denim newsboy cap, smiling warmly.
- The woman opens a wooden door, looking excited.
- The woman gestures towards the intricate model train set.
- The woman speaks, signaling the commencement of the train's movement.
- A miniature dark green train engine, pulling several carriages, begins to move along the tracks of the model railway.
- The man watches the moving train with an open-mouthed expression of surprise and wonder.
Dialogue
- Woman says: "I'm going to change into something for the occasion."
- Man says: "Okay."
- [Upbeat, whimsical background music begins to play]
- Woman says: "Let's get this line moving."
- [Sound of a train whistle blowing]
Cinematography
Mood
Conversational and pleasant, transitioning to playful, enchanting, and awe-inspiring, evoking a sense of wonder and charm.
CameraShot
The video starts with a medium close-up, eye-level, static shot. It transitions to a medium shot as the woman walks past, followed by another static medium shot of her in the doorway. A wide, slightly high-angle static shot captures the full scale of the model train setup. A close-up, low-angle tracking shot follows the miniature train as it moves, employing a shallow depth of field to isolate the train. The final shots are static close-ups of the man's face, eye-level, with blurred bokeh lights in the background.
Reverse Prompt
SceneDescription
A lighthearted video of a tan military tank with a bright yellow 'STUDENT DRIVER' sign on its back, driving on a multi-lane highway. The tank is positioned in the middle lane, with other civilian cars visible in the surrounding lanes. The sky is clear and blue, suggesting daytime. The video appears to be filmed from inside a car, looking through the windshield. The overall mood is humorous due to the unexpected sight of a tank as a 'student driver.'
Actions
- The tan military tank drives forward on the highway.
- The tank's left blinker activates, signaling a lane change.
- The tank continues to drive forward, maintaining its position in the lane while signaling.
- The tank's left blinker deactivates.
Dialogue
- Male voice: Is that a tank?
- Female voice: What the...
- Female voice: Why is it signaling?
- Female voice: It's trying to change lanes.
- Male voice: Careful, careful.
- Female voice: Yep.
- Female voice: A little metal kiss right there.
- Male voice: Oh no, it's parallel parking.
Cinematography
Mood
Humorous and slightly bewildered.
CameraShot
Medium shot, eye-level, fixed. The shot is static, filmed through a car windshield.
Reverse Prompt
SceneDescription
A vintage-style black and white video depicting a woman, reminiscent of Audrey Hepburn, sitting in an armchair in a cozy living room. She is wearing a black dress, a pearl necklace, and large, retro headphones. To her left, on a small table, is a vintage reel-to-reel tape recorder with large speakers and a teacup on a saucer. The room is dimly lit, with a floor lamp visible in the background on the right. The overall aesthetic is classic and sophisticated.
Actions
- The woman, wearing headphones, listens intently to something, her eyes widening in surprise.
- She then smiles, looking around with a playful expression.
- She places her hands together near her chin, still smiling.
- She then reaches up and adjusts the headphones on her ears.
- She expresses surprise and delight with an open mouth and animated facial expressions.
- She brings her hands together again, her expression shifting to one of anticipation and then a satisfied smile.
Dialogue
- Oh! Goodness gracious, what is that? It's outrageous! Marvelous! Heavens, listen to it rumble! Wait for it! Oh I am, I'm quite...
Cinematography
Mood
Playful, sophisticated, and slightly nostalgic.
CameraShot
Medium shot, static camera, slightly zoomed in on the woman.
Introducing INFINISINK!® 🕳️ Warning: Items dropped may not be retrievable. Infinisink assumes no liability. @cameoed
by @cameoed22.3Kviews
848likes
56comments
Reverse Prompt
SceneDescription
A retro-themed kitchen commercial with a smiling woman. The kitchen features a vibrant teal countertop, yellow cabinets, and a backsplash with orange and yellow diamond patterns. There's a white sink faucet, a stack of white plates, yellow rubber gloves, and a white mug. The sink itself is a deep, dark hole with a subtle purple glow at the bottom, creating an illusion of infinite depth. The lighting is bright and cheerful, mimicking a classic 1950s or 60s advertisement.
Actions
- The video opens with a static shot of the kitchen sink, displaying the text 'Introducing'.
- Text changes to 'INFINISINK!' as the camera slightly zooms out.
- The camera then moves to a close-up of the sink with text 'Tired of watching dishes stack up?' overlaying the scene.
- The shot changes to the smiling woman in the kitchen, holding a dirty plate over the infinite sink, with 'Problem solved!' text appearing.
- The woman then drops a plate into the infinite sink.
- The camera focuses on the sink again as a small white cup is dropped into it.
- A wider shot of the woman smiling, with the text 'Because out of sight is out of mind!' appearing.
- The video transitions to a graphic advertisement for the 'INFINISINK' showing the sink hole and the price 'ONLY $49.95'.
- The final frame displays the phone number '1-800-555-SINK' with 'CALL NOW' written over the sink.
Dialogue
- Voiceover: Introducing the INFINISINK! Tired of watching dishes stack up? Problem solved! Drop them into a gaping, infinite hole and forget about them forever. Say goodbye to messy counters and hello to free time because out of sight is out of mind! The INFINISINK, only $49.95. Call now!
Cinematography
Mood
Nostalgic, humorous, and slightly surreal, with a playful infomercial aesthetic.
CameraShot
Medium close-up shots with a slight zoom effect, alternating between static and dynamic framing. The camera focuses on the sink and the woman, sometimes with a subtle hand-held feel.
Reverse Prompt
SceneDescription
A cheerful and surreal animated scene featuring a train composed of giant rubber ducks. The train, primarily yellow with some red accents, moves along a track through a vibrant, green meadow dotted with small flowers. In the distance, snow-capped mountains rise under a pastel sky painted with hues of pink, orange, and blue. Hot air balloons drift gracefully in the sky. The first duck in the train is a large rubber duck with a blue uniform and black hat, serving as the conductor. Each subsequent duck carriage also has a duck inside looking out. The scene is brightly lit, suggesting either early morning or late afternoon light, with a soft, diffused quality.
Actions
- The rubber duck train moves from right to left across the frame on a train track.
- The camera tracks the train's movement, maintaining a side-view perspective.
- The first duck, the conductor, is seen looking out of the train cabin.
- Subsequent duck passengers are visible through the windows of their carriages.
- Hot air balloons float gently in the distant sky.
Dialogue
- [Sound of a train horn]
- [Sound of a train chugging]
- Voiceover: "All aboard the Duck Express!"
Cinematography
Mood
Whimsical, joyful, and serene.
CameraShot
Low-angle, tracking shot. The camera moves alongside the train, following its path on the tracks, giving a dynamic perspective of its movement. The focus is sharp on the train and foreground, with a slightly softer focus on the background elements.
Reverse Prompt
SceneDescription
A cinematic and humorous desert scene depicting a first contact scenario. A massive, metallic, disc-shaped UFO has landed on a flat, sandy plain under a bright, clear sky. A ramp has lowered from the spacecraft's central opening. To the surprise of a large group of soldiers in full desert camouflage and tactical gear who have the craft surrounded with rifles drawn, an individual in an inflatable brown Tyrannosaurus Rex costume slowly waddles down the ramp. The background features distant mountains and a military-style fence. The lighting is harsh, direct midday sun, creating sharp shadows on the ground.
Actions
- The camera begins with a wide view of the UFO and the surrounding soldiers.
- A person in an inflatable T-Rex costume appears at the top of the UFO ramp.
- The T-Rex waddles slowly and awkwardly down the ramp toward the desert floor.
- The camera zooms in closer to the T-Rex as it reaches the bottom of the ramp.
- The soldiers remain stationary with their weapons aimed at the craft and the costume.
- The T-Rex stops at the bottom of the ramp and looks around, its head bobbing slightly.
Dialogue
- Male voice (whispered/shocked): 'What the fuck is this?'
- Indistinct background radio chatter and murmuring from the soldiers.
- Ambient desert wind and the faint sound of the costume's internal fan.
Cinematography
Mood
Absurdist, humorous, and satirical, contrasting a high-tension military standoff with a ridiculous costume.
CameraShot
Eye-level medium-long shot that slowly zooms in on the T-Rex costume as it descends the ramp. The camera remains mostly steady but follows the movement of the costume.
Reverse Prompt
SceneDescription
Two men are seated at a glossy dark desk in a television studio. The man on the left, an older man with neatly combed hair, glasses, a light blue dress shirt, red tie, and red suspenders, is interviewing the man on the right. The man on the right, younger with glasses, a goatee, and a white t-shirt, exhibits a distinct physical appearance with hunched shoulders and thin arms. Behind them is a dark background illuminated with a grid-like pattern of colorful lights, resembling an abstract world map. Two silver microphones stand on the desk between them, along with two black mugs labeled 'LARRY KING LIVE'. The scene has a vintage television broadcast aesthetic, characterized by a slightly grainy texture and specific color grading.
Actions
- The older man (Larry King) introduces his guest, speaking directly to him.
- The younger man (Ricky Berwick) listens intently, then smiles broadly and laughs.
- Larry King continues speaking, occasionally nodding and making slight hand gestures.
- Ricky Berwick reacts with laughter, then shifts his facial expression to a more neutral or slightly contemplative look.
- Larry King makes a humorous comment about parking a scooter.
- Ricky Berwick laughs again in response to Larry King's remark.
Dialogue
- Larry King: This guest is a phenomenon on the internet, a man who's turned self-deprecating humor into an art form. Ricky Berwick is with us in the studio tonight. Ricky, thanks for coming in.
- Ricky Berwick: Thanks for having me, Larry.
- Larry King: Yeah, you gave me plenty of parking space for the scooter. I parallel parked like a champ.
- Ricky Berwick: [Audible laughter and chuckles]
Cinematography
Mood
Formal yet conversational, humorous, and engaging, with a nostalgic feel due to the video's vintage quality.
CameraShot
Alternating between a medium two-shot of both speakers and medium close-up shots of each individual. The camera is static and at eye-level.
Reverse Prompt
SceneDescription
A giant, fluffy white kitten with striking blue eyes causes playful havoc in a busy, modern city resembling Times Square, surrounded by towering skyscrapers and bustling streets filled with tiny people and cars. The kitten is the central focus, its enormous size contrasting with the miniature urban environment. The lighting is bright and clear, suggesting a sunny day.
Actions
- A massive white kitten is shown on a large billboard-like screen on a skyscraper, reaching out with its paw.
- The camera zooms into the kitten's fur, simulating it breaking free from the screen.
- The giant kitten lands on a building, shaking it, with tiny cars and people visible below.
- The kitten's head looms over a busy street, with people running in panic.
- The kitten opens its mouth as if to let out a giant yawn or a meow, its blue eyes wide.
- The camera gets an extreme close-up of the kitten's face, focusing on its huge, blue eyes and pink nose.
- The kitten's furry body is shown up close as it moves through the city.
- People in the streets below scatter and run from the giant kitten.
- The camera focuses on the kitten's pink nose in an extreme close-up.
- An aerial shot shows the giant white kitten's back as it walks among the skyscrapers, casting a large shadow over the city streets.
- The kitten looks down at the city, its paw reaching towards a building.
- The kitten's foot stomps down near a building, causing a tremor.
- The kitten leans in, looking curiously at the ground, its blue eyes prominent.
- The kitten takes another step, its massive paw moving gracefully.
Dialogue
- A soft meow or purr sound as the kitten moves.
- Sounds of chaos and people screaming as the kitten appears.
- Dynamic and dramatic music with a playful yet epic feel.
Cinematography
Mood
Playful, fantastical, and slightly chaotic, with an underlying sense of awe and wonder at the kitten's immense size.
CameraShot
Dynamic and varied, featuring extreme close-ups on the kitten's face and paws, wide shots showcasing its scale against the city, and low-angle shots emphasizing its gigantic presence. The camera moves frequently, mimicking a handheld or action-cam style, with quick cuts and shifts in perspective.
Reverse Prompt
SceneDescription
A suburban front yard at night, viewed through a fisheye lens, likely from a security camera or doorbell cam. A dark green, wheeled trash can sits upright on a concrete path that leads from a porch towards a street. The path is flanked by grassy areas. In the background, streetlights illuminate a quiet neighborhood with houses. A brick pillar is visible on the left side of the frame, and white house siding is on the right. The night is dark but adequately lit by distant streetlights, casting soft shadows.
Actions
- A single raccoon is perched on top of the upright trash can.
- The trash can is abruptly knocked over onto its side.
- A large group of raccoons (approximately 10-15) suddenly appears from off-screen and around the fallen trash can, swarming the area.
- Raccoons begin to forage and rummage through the spilled contents around the trash can.
- One raccoon walks into the frame from the left side of the concrete path.
- The raccoons continue to explore and pick through the debris on the ground.
- Several raccoons briefly look up towards the camera.
Dialogue
- [Loud thud and clatter as the trash can falls]
- [Multiple raccoons chittering, rustling, and making foraging sounds]
Cinematography
Mood
Initially calm and observational, quickly becoming chaotic, mischievous, and slightly humorous.
CameraShot
Extreme wide-angle, high-angle fisheye lens, mimicking a security camera or doorbell cam view. The shot is static throughout the video.
# SILVER GUARDIAN — AURORA VEIL NIGHT - [ #1 0.05s ] ACTION:{STILL from primary reference image} :contentReference[oaicite:0]{index=0}; CAMERA:{locked ECU; hard cut} — [STATIC] /* Ki */ | SUBJECT:{animal; giant white wolf; violet irises; frost-caked white fur; slow breath} | SCENE:{dim night; heavy snowfall; sky glows with aurora veil; no other life} | LIGHT:{aurora backlight halo; rim hugs silhouette; neg fill} | GRADE:{blue–silver with aqua aurora wash; crisp contrast; soft bloom; fine grain}
by @keigo_matsumaru21.0Kviews
347likes
15comments
Reverse Prompt
SceneDescription
A majestic and ethereal winter landscape bathed in the glow of the aurora borealis. The primary character is a stunning white wolf with glowing purple eyes, covered in pristine white fur, often with snowflakes adhering to it. The setting varies between snowy mountain ridges, dense pine forests covered in snow, and vast, open snow-covered plains. The sky is a deep blue, adorned with bright green and blue streaks of the aurora borealis and twinkling stars, with gentle snowfall throughout. The overall atmosphere is cold, serene, and magical.
Actions
- A white wolf's face is shown in close-up, its glowing purple eyes looking slightly to the side.
- The wolf walks gracefully along a snowy mountain ridge.
- The wolf stands in a snowy forest path, looking up at the sky and aurora borealis.
- The wolf walks carefully on a snowy slope overlooking a pine forest.
- Close-up of the wolf's paw stepping onto soft, powdery snow.
- The camera follows a trail of wolf paw prints across a smooth, snow-covered surface.
- The wolf looks directly at the viewer with its purple eyes, then turns its head slightly.
- Close-up on the wolf's fur, showing the intricate texture and individual hairs.
- The wolf moves quickly across a snowy plain, kicking up snow, with the aurora visible above.
- The wolf pauses on a snow-covered mountain, turns its head upwards, and howls.
- The scene transitions to a black screen with falling snowflakes, revealing the title 'Guardian of Silver'.
Dialogue
- A hushed, deep male voice narrates: 'In silent snow, a guardian watches.'
- Soft, epic orchestral music plays throughout the video, intensifying at key moments.
- Sound of wind gently blowing.
- Subtle crunching sounds as the wolf steps in the snow.
- A realistic wolf howl is heard as the wolf looks up.
- Sound effect of sparkling snow or magic when the title appears.
Cinematography
Mood
Majestic, mysterious, solitary, epic, and awe-inspiring, with a touch of magic due to the glowing eyes and aurora.
CameraShot
A dynamic sequence of shots including extreme close-ups on the wolf's eyes and fur, tracking shots following the wolf as it moves, wide-angle establishing shots of the snowy landscapes, low-angle shots of the wolf against the sky, and an overhead shot revealing paw prints in the snow. Camera movements are smooth, often gliding or panning to emphasize the grandeur of the environment and the grace of the wolf.
Reverse Prompt
SceneDescription
A thrilling and adventurous sequence featuring Shaquille O'Neal skydiving on a bright, clear day. The scene transitions from the interior of an airplane to high above the earth with fluffy white clouds, and finally to a sunny, open grassy field. Shaq, a large, dark-skinned man with a grey beard, is dressed in a dark grey/black full-body skydiving suit, complete with a harness system, clear protective goggles/visor, and black gloves. An altimeter is visible on his left wrist. The parachute, when deployed, is a striking purple and yellow.
Actions
- Shaquille O'Neal is seated inside an airplane, looking directly at the camera and talking.
- He leans forward and prepares to exit the aircraft.
- Shaq freefalls through the sky, arms and legs spread, smiling broadly as he descends past clouds.
- He pulls the parachute cord.
- The purple and yellow parachute deploys, and Shaq descends, holding the parachute handles, shouting excitedly.
- Shaq lands safely in a grassy field, crouching down with a wide smile, with the deployed parachute visible behind him.
Dialogue
- Shaquille O'Neal says: "Alright, suit it up, time to jump."
- A voice counts down: "3, 2, 1."
- Shaquille O'Neal shouts: "Wooo! Yeah! Parachute open!"
- Shaquille O'Neal says: "Look at that view. This is wild. We made it. That was amazing."
- [Sound of wind during freefall and descent]
Cinematography
Mood
Exhilarating, adventurous, joyful, and triumphant.
CameraShot
A dynamic combination of camera angles and movements: starting with a medium close-up, slightly low-angle shot inside the plane, transitioning to a wide-angle POV shot from above during freefall, then a medium shot from below as the parachute deploys and he descends, and finally a static medium close-up from ground level upon landing. The camera is often attached to or close to Shaq, capturing his facial expressions and the vastness of the sky.
Reverse Prompt
SceneDescription
A museum scene with a framed painting on a dark green wall, reminiscent of Vermeer's 'Girl with a Pearl Earring.' A crowd of people stands before it, holding up smartphones to capture the artwork. The lighting is artificial, museum-style, highlighting the painting. The scene then transitions into an action sequence where the girl from the painting, dressed in her iconic yellow tunic and blue and yellow headscarf, leaps out of the frame into the museum. She wears black leggings and modern black shoes. She proceeds to run through the museum, past other framed artworks, and eventually escapes through large, glass-paneled wooden doors into a bustling street with classical architecture.
Actions
- A crowd of people stands in front of a painting, holding up their smartphones to record it.
- The painting, 'Girl with a Pearl Earring,' is prominently displayed.
- Someone asks, "Is she moving?"
- The girl from the painting leaps out of the frame, landing on the floor.
- She quickly stands up and runs through the museum.
- A man in a blue shirt is seen reacting.
- Another man in a black jacket and dark pants is seen reacting.
- The girl from the painting runs towards large glass doors.
- She pushes through the doors and exits the building, looking over her shoulder as she leaves.
- A man yells, "Stop her!"
- Someone else yells, "She's got the pearl!"
- A man yells, "Call security!"
Dialogue
- "Is she moving?"
- "She's staring right at me."
- [Sound of shattering glass]
- [Splashing sound]
- "Stop her!"
- "She's got the pearl!"
- "Call security!"
Cinematography
Mood
Initially reverent and quiet, quickly shifting to chaotic, thrilling, and action-packed.
CameraShot
Begins with a medium shot of the painting and the crowd, then transitions to a closer shot as the girl emerges, followed by tracking shots as she runs, and finally a wider shot as she exits the building. The camera is handheld, giving a dynamic and urgent feel.
Reverse Prompt
SceneDescription
A bustling city sidewalk in front of a row of storefronts, possibly in a shopping district. The sidewalk is paved with light grey interlocking pavers. A large, realistic 3D chalk art drawing of a deep brick-lined hole with glowing lights on the sides is depicted on the sidewalk. Pedestrians walk by, seemingly oblivious or curious. The lighting is bright and natural, suggesting daytime. A man in a grey hoodie and camouflage pants is kneeling beside the chalk art, appearing to be the artist. Another man in a white hoodie and black pants approaches the chalk art.
Actions
- A man in a white hoodie walks towards the chalk art, seemingly intrigued.
- The man in the white hoodie steps into the chalk art, making it appear as if he's falling into the hole.
- The camera quickly pans down as if following him into the hole, showing the brick walls and lights.
- The camera quickly pans back up to show the man in the white hoodie peering out from the chalk art, smiling.
- The man in the grey hoodie (the artist) gestures with his hand towards the man in the white hoodie.
Dialogue
- Woman (off-screen): 'That's crazy, right?'
- Man (off-screen, surprised): 'Looks real. Yo, that's what, whoa, whoa!'
- Man (off-screen, shocked): 'Dude, holy bro, I thought it was chalk!'
- Woman (off-screen, questioning): 'You good down there?'
- Man in white hoodie (from 'hole'): 'I'm good, I'm fine. Just embarrassed.'
Cinematography
Mood
Playful, surprising, and slightly humorous.
CameraShot
Medium shot, eye-level, handheld with slight movement, following the action. The camera initially frames the chalk art and the artist, then pans and tilts to follow the man interacting with the art, and then quickly pans downwards into the 'hole' before quickly panning back up.
Reverse Prompt
SceneDescription
A humorous, photorealistic scene of a raccoon posing for a police mugshot. The raccoon stands against a white wall marked with horizontal black height measurement lines. It holds a black slate board with its front paws that reads 'Central Police Dept', 'ID: 026', 'CID: 203', and 'DATE: 11/17/25'. The lighting is flat and clinical, mimicking a booking room environment. A digital timestamp is visible in the top left corner, suggesting a security or police camera feed.
Actions
- The raccoon stands still, clutching the booking slate against its chest.
- The raccoon looks straight ahead, then nervously shifts its eyes to the left and right.
- The raccoon blinks while maintaining a guilty or confused expression.
Dialogue
- [Electronic beep sound]
- Gruff male voice: '12 counts of garbage theft and resisting arrest.'
Cinematography
Mood
Deadpan, satirical, and humorous.
CameraShot
Static medium shot, centered directly on the raccoon at eye level.
Reverse Prompt
SceneDescription
A stylized, cartoonish green frog with a plump body and orange-tipped feet sits comfortably in a wooden director's chair in the middle of a vast, dry savanna landscape. The ground is covered in golden-brown grass and dirt. In the mid-ground, a lone acacia-like tree with a wide, flat canopy stands silhouetted against a clear, bright blue sky with sparse white clouds. The lighting is natural and bright, typical of a sunny day, though it subtly shifts to a warmer, slightly dimmer tone towards the end before returning to full brightness.
Actions
- The green frog sits upright in the director's chair, facing the camera.
- The frog's mouth opens and closes as it speaks.
- The frog blinks its large, round eyes periodically.
- The frog's throat/chest area inflates and deflates subtly with its 'speech'.
- The overall lighting of the scene gradually transitions from bright daylight to a slightly warmer, dimmer tone, then back to bright daylight.
Dialogue
- Male voice says: Hi there. In addition to character cameos like me, we have a few more Sora updates to share. Now you can stitch multiple gens together from your drafts page, and we're releasing leaderboards. So go stitch some drafts together and climb the ranks.
- Subtle, light, and whimsical background music plays throughout.
Cinematography
Mood
Whimsical, friendly, and slightly informative.
CameraShot
Medium shot, vertically framed, static. The frog and chair occupy the lower-middle of the frame, with the savanna and sky filling the background.
Reverse Prompt
SceneDescription
A comedic night scene on a snow-covered highway surrounded by dense, snow-laden pine forests under a dark, cloudy sky. The perspective is from inside a car, looking out through the windshield. The road is clear of snow in the middle, but the sides are blanketed in white. The only visible lights are the car's headlights, illuminating the road ahead, and faint red taillights far in the distance. The overall mood is cold and eerie, but quickly becomes humorous with the appearance of Santa Claus.
Actions
- The car drives down a snow-covered highway at night.
- Suddenly, Santa Claus and a reindeer crash onto the car's hood, sliding towards the windshield.
- Santa's sleigh, partially visible, crashes to the right of the car.
- Santa adjusts his hat and costume, seemingly unfazed by the collision.
- Santa looks down at the reindeer lying on the car's hood.
Dialogue
- [Sound of a loud crash]
- Santa says: "Oh, I'm alright. Whoa, whoa, you good? Just a rough landing."
Cinematography
Mood
Eerie and cold, transitioning to playful and comedic.
CameraShot
Point-of-view, dashcam-style, static shot from inside a car looking forward. The framing captures the road ahead and a small portion of the car's dashboard/hood.
Reverse Prompt
SceneDescription
A rustic outdoor setting featuring the lower section of an old, weathered wooden shed or small structure. The shed has horizontal wooden planks, and a small, roughly constructed wooden door with old, rusty metal hinges and a simple rope handle is at the bottom. The ground in front of the door is muddy, with sparse patches of green grass and dry straw or leaves. The scene is illuminated by natural, even daylight, suggesting an overcast day. From inside the dark opening of the small door, a blue plush toy character, resembling Towelie from South Park (blue with white stripes, large red-rimmed drooping eyes, and a prominent mouth area), is partially visible, peeking out.
Actions
- A person's hand reaches into the frame.
- The hand grasps the rope handle on the small wooden door.
- The hand pulls the door open slightly.
- A small puff of white smoke or mist emanates from the dark opening behind the door.
- The hand pushes the door closed again.
- The hand pulls the door open more fully.
- A blue plush toy (Towelie) is revealed, peeking out from inside the dark opening.
- The plush toy slowly shifts its head and body slightly to the left, as if reacting to the light.
- The plush toy shifts its head and body slightly back to the right.
Dialogue
- Person: Say hello.
- Person: To my little friend.
- Towelie: Oh, man, it's bright out here.
- Towelie: I shoulda brought my shades.
- Towelie: Yeah, yeah, too late now.
Cinematography
Mood
Playful, surprising, and humorous.
CameraShot
Medium close-up shot, slightly high-angle looking down at the door. The camera is static throughout the video.