Sora AI Video Prompts
Browse the most effective video prompts for OpenAI Sora, featuring cinematic AI videos. Each prompt includes detailed cinematography, mood, camera shot, and scene description breakdowns.
Showing 30 prompts
Reverse Prompt
SceneDescription
A cheerful man at a bustling football stadium pours beer from a unique, wearable vest into a plastic cup. He is dressed in a dark blue beanie, a dark blue hoodie, and a distinctive sleeveless puffer vest designed to look like a giant beer mug, complete with a white foam-like collar and a transparent brown body filled with liquid resembling beer. The stadium lights are bright, illuminating the man and the surrounding crowd in the background. The field is visible in the distance, indicating an ongoing game or event.
Actions
- The man holds a black tap in his right hand and a clear plastic cup in his left.
- He taps the beer vest, and a stream of golden liquid pours from the vest into the cup.
- The cup fills with beer, creating a thick white foam head.
- The man smiles slightly as the cup fills.
- After the cup is full, he brings it closer to the camera, showcasing the freshly poured beer.
Dialogue
- Loud ambient stadium noise: crowd cheering, general commotion.
Cinematography
Mood
Playful, enthusiastic, and festive.
CameraShot
Medium shot, eye-level, static shot. The focus is on the man and his actions, with the stadium environment providing a lively backdrop.
Reverse Prompt
SceneDescription
A surreal and chaotic winter scene in a quiet suburban neighborhood. Large, perfectly spherical snowballs are falling from the sky like giant hailstones and bouncing along a snow-covered residential street. The sky is a thick, overcast grey with light snow falling. Two-story suburban houses line the street, some with cars parked in driveways and on the road. A white picket fence is visible in the foreground. People can be seen in the distance, reacting with shock and attempting to dodge the massive snow spheres as they roll and collide with vehicles and property.
Actions
- Dozens of large, round snowballs fall rapidly from the sky.
- The snowballs bounce and roll down the street and across lawns.
- A large snowball rolls past a white SUV parked on the street.
- In the background, a person runs across their driveway to avoid being hit.
- The camera pans right to follow the path of the falling spheres as they impact the ground.
- Snowballs are seen floating and falling in the distance, filling the frame.
Dialogue
- [Heavy wind and blizzard sounds]
- [Muffled thuds of snowballs hitting the ground]
- A person off-camera yells: 'Oh my god! Look at this!'
Cinematography
Mood
Chaotic, alarming, and surreal.
CameraShot
Medium-wide, eye-level shot from a fixed position, possibly a porch or window, with some jittery handheld movement that pans slightly to follow the falling snowballs.
Reverse Prompt
SceneDescription
A fishing boat on a cloudy day, the ocean stretching out to the horizon. The water is dark blue and choppy. The boat's white railing is visible in the foreground. A person's hands are visible, holding a fishing rod.
Actions
- A person is holding a fishing rod, reeling it in.
- Something splashes in the water, pulling on the line.
- The person continues to reel in the line with effort.
- A box of 'Crunchy Fish Sticks' emerges from the water, hooked on the fishing line.
- The person holds up the box of fish sticks, looking surprised.
Dialogue
- "Oh, that's heavy!"
- "Whatever you are, don't let go now!"
- "Almost. There we go!"
- "What in the world?"
- "It's a box of fish sticks, frozen fish sticks."
Cinematography
Mood
Surprised, slightly humorous.
CameraShot
First-person perspective, medium shot, handheld camera. The camera follows the action of fishing.
Reverse Prompt
SceneDescription
A young woman with long, dark hair, wearing a light green knitted sweater and blue jeans, is sitting next to a white bathtub. The bathtub is filled with light blue water. The bathroom walls are tiled with light grey squares. Initially, she holds a small, brown, monkey-shaped toy. After she drops the toy, a real, small, brown macaque monkey with a pinkish face appears in the bathtub, gripping the edge.
Actions
- The woman holds up a small, brown monkey toy.
- She speaks directly to the camera, explaining the toy.
- She drops the toy into the water in the bathtub.
- The water splashes dramatically, creating white foam and bubbles.
- A real macaque monkey emerges from the water, sitting upright in the tub and gripping the edge.
- The woman reacts with a wide-mouthed gasp of surprise and excitement.
- The monkey looks towards the camera.
- The woman points at the monkey with a triumphant smile.
Dialogue
- Woman says: "This toy can grow in water and I'm going to prove it."
- Sound of water splashing violently.
- Woman shouts with surprise/excitement: "[Loud gasp/Exclamatory shout]"
- Monkey makes soft chattering/grunting sounds.
- Woman says: "I told you!"
Cinematography
Mood
Playful, surprising, humorous, with an element of magical realism.
CameraShot
Medium close-up, static shot. The camera is positioned at eye-level or slightly above, focusing on the woman and the bathtub.
Reverse Prompt
SceneDescription
A humorous and surreal scene captured from the perspective of a high-angle front porch security camera. An elderly woman, identified by a floating video game HUD as 'GRANNY_57', stands on a wooden porch deck wearing a light blue patterned nightgown, a grey cardigan, and pink slippers. She is wielding a black pickaxe. To her left, a large alligator is lying on the porch. The scene is overlaid with a 'Fortnite' style user interface, including health bars, shield bars, an inventory, and material counts. As the woman swings the pickaxe, digital blue blueprints appear and instantly construct into crude wooden walls, physically blocking off the alligator. Floating yellow damage numbers and material icons pop up with every impact.
Actions
- The elderly woman swings a pickaxe, causing a digital wooden wall to construct instantly in front of the alligator.
- She swings the pickaxe again, hitting the newly built wall; a damage number '30' floats in the air.
- She swings a third time, yelling as she strikes the structure.
- She swings a fourth time, hitting the structure with a critical hit effect showing '60'.
- She stops swinging and looks at the barricaded area with satisfaction.
- The game interface updates the wood count in the corner as she 'harvests' materials.
Dialogue
- [Sound of heavy pickaxe impacts and video game construction noises]
- Woman yells: 'Get off my porch!'
- Woman yells: 'Thump!'
- Woman yells: 'Take that!'
- Woman says: 'That's enough out of you!'
Cinematography
Mood
Absurd, comedic, and chaotic, blending domestic realism with video game fantasy.
CameraShot
Static, high-angle, extreme wide-angle fisheye lens, mimicking a Ring doorbell or home security camera.
Reverse Prompt
SceneDescription
A cinematic montage paying homage to the Golden Age of Indian Cinema. The video features several scenes: an actress in a yellow and green silk saree on a film set, a dancer in a vibrant red lehenga performing a Sufi whirl in a palatial courtyard under a starry night sky, a close-up of a vintage film camera, a leading man in a traditional sherwani smiling warmly, a rain-slicked street in old Bombay with neon signs and a classic car, and a projector room where the beam of light illuminates dust particles. The lighting transitions from warm, studio lamps to cool, moonlit blues and vibrant neon hues, creating a nostalgic and romantic atmosphere.
Actions
- An actress in a yellow saree stands elegantly on a film set holding a script.
- A woman in a red lehenga spins rapidly in a choreographed dance sequence.
- A hand operates a vintage film camera, adjusting the lens.
- A man in a cream-colored sherwani smiles as he looks off-camera.
- A couple walks under an umbrella on a rainy city street at night.
- A film projector is turned on, casting a bright beam of light through a dark room.
- The actress in the yellow saree looks at the projected image with a smile.
Dialogue
- Vintage Hindi film music plays throughout, featuring a melodic male vocal and traditional instruments like the tabla and harmonium.
- [Ambient sounds of a film set: clicking of the camera, whirring of the projector]
Cinematography
Mood
Nostalgic, romantic, glamorous, and celebratory of classic Bollywood heritage.
CameraShot
A mix of medium shots, close-ups, and wide sweeping shots. The camera movements include smooth pans, tracking shots following the dancer, and static detail shots of film equipment.
First Woolly Mammoth successfully cloned Follow @eSlop for more slop
by @eslop96.7Kviews
1.1Klikes
43comments
Reverse Prompt
SceneDescription
A curious, fluffy, reddish-brown baby woolly mammoth stands in a clean, modern laboratory enclosure filled with hay. The creature has a short trunk, small tusks just beginning to emerge, large floppy ears, and wears a white collar with a small blinking green light. Behind a clear glass barrier, two scientists observe: a woman with dark curly hair wearing a white lab coat, safety glasses, and blue gloves, and a man in a white lab coat and safety glasses. The lab environment is brightly lit with fluorescent lighting, and a partial sign reading 'CLOLO' is visible on the back wall.
Actions
- The baby woolly mammoth stands still, facing the camera.
- The mammoth slowly raises its head and trunk upwards.
- The mammoth lowers its head and trunk.
- The mammoth raises its head and trunk again, opening its mouth slightly.
- The green light on its collar blinks intermittently.
- The scientists in the background remain largely still, observing the creature.
Dialogue
- Soft, high-pitched trumpeting or squealing sounds from the baby mammoth.
- Subtle background ambient lab noises.
Cinematography
Mood
Scientific, observational, cute, and awe-inspiring, highlighting a creature from the past in a modern setting.
CameraShot
Medium close-up, static shot, eye-level with the creature. The video is shot in a vertical format, common for social media.
Reverse Prompt
SceneDescription
A brightly lit, indoor studio setting with an audience in the background. A male host in a suit and tie stands before four American football players, two of whom are seated in front of the camera, wearing red and white Kansas City Chiefs uniforms with numbers 65 and 83 visible on their jerseys. The set features a blue and red illuminated stage, with a large blue circular emblem to the left of the players. The lighting is bright and theatrical, emphasizing the central figures.
Actions
- A male host stands in front of four football players, holding a piece of paper.
- He reads from the paper to the seated players.
- The two seated players react with shock and despair, falling dramatically out of their chairs onto the stage floor.
- One player (number 65) falls forward onto his face, while the other player (number 83) collapses backward.
- The camera zooms in on the player in jersey number 65, lying on his back, looking upwards and screaming in mock anguish.
Dialogue
- Host says: "In the case of the 2025 Kansas City Chiefs, you are not in the playoffs."
- [Dramatic falling sounds]
- [Screaming in mock anguish and disbelief from the players]
- Player shouts: "No! Oh my god!"
Cinematography
Mood
Initially formal and anticipatory, quickly shifting to dramatic and comedic.
CameraShot
Medium shot, initially static, then zooms in slightly and pans down as the players fall. The camera remains mostly at eye level.
Reverse Prompt
SceneDescription
A brightly lit, modern living room with a cream-colored rug covering most of the floor. In the foreground, a brown poodle-like dog with curly fur is standing on the rug, facing a dark gray hexagonal mat covered with multiple light blue and black circular buttons. The dog is slightly to the left of the frame, looking down at the mat. To the right, a young woman with light brown hair tied in a bun is kneeling on the rug, wearing a light brown sweatshirt and light-colored jeans. She is looking intently at the dog and the mat. In the background, there's a light-colored couch, a small white coffee table with some objects, and a window with natural light coming through. The overall atmosphere is casual and domestic.
Actions
- The woman asks, 'Are you real or AI?'
- The dog presses a button with its front right paw.
- A white text bubble with 'AI' appears on the screen.
- The woman responds, 'No, you're not AI, you're real, please.'
- The dog presses another button with its front right paw.
- Another 'AI' text bubble appears.
- The dog presses a third button with its front right paw.
- A third 'AI' text bubble appears.
- The woman says, 'You're real, you're my dog, right?'
- The dog presses a fourth button with its front right paw.
- A fourth 'AI' text bubble appears.
Dialogue
- Woman: Are you real or AI?
- Dog (via button): AI
- Woman: No, you're not AI, you're real, please.
- Dog (via button): AI
- Dog (via button): AI
- Woman: You're real, you're my dog, right?
- Dog (via button): AI
Cinematography
Mood
Playful, curious, and humorous.
CameraShot
Medium shot, eye-level angle, static shot.
Reverse Prompt
SceneDescription
The video starts with a wide shot of a 'WELCOME TO THE HUMAN ZOO' sign, with various anthropomorphic chimpanzees in human clothing (some with hats) walking towards it, implying they are visitors. The scene then transitions to several enclosures within the 'zoo'. The first enclosure showcases an 'OFFICE WORKER (Suburban Male)', a man in a white shirt and tie typing on a computer behind a glass partition. The second enclosure, labeled 'DINNER TIME (Family Unit, Middle Class Habitat)', features a family of three (man, woman, and young boy) having dinner in a brightly lit room. A chimpanzee outside pours food from a bucket over the glass, startling the family. The third enclosure, 'MALE IN SOLITUDE', shows a man sitting on a toilet in a bathroom, looking uncomfortable as chimpanzees observe him. The final enclosure, 'PAIR BONDING - Adult Mates', displays a couple lying in bed, intimate and covered by blankets, observed by the chimpanzees. The final scene shows a 'RETIRED ATHLETE - Aging Male' playing basketball on an outdoor court, visible through a chain-link fence, as the chimpanzees watch.
Actions
- Anthropomorphic chimpanzees walk towards the 'Human Zoo' entrance.
- A chimpanzee points towards the sign.
- A man in an office enclosure types on a computer.
- Chimpanzees observe the office worker.
- A chimpanzee pours a bucket of food over a glass enclosure where a family is eating dinner.
- The family reacts with surprise and discomfort to the food being poured.
- A man sits on a toilet in a bathroom enclosure, looking uncomfortable.
- Chimpanzees observe the man in the bathroom, some holding bananas.
- A couple lies in bed in an enclosure, with chimpanzees watching.
- A man plays basketball on an outdoor court, dribbling and shooting.
- Chimpanzees watch the basketball player through a fence.
Dialogue
- [Upbeat, slightly whimsical music plays throughout]
- Chimpanzee-like vocalizations (hooting, chattering) are heard when observing humans.
- Audible gasps and surprised vocalizations from the human family in the dinner scene.
- Audible 'oohs' and 'aahs' from the observing chimpanzees.
- Automated announcement: 'Closing time. Please exit the Human Habitat.'
Cinematography
Mood
Humorous, satirical, and slightly unsettling, reversing the traditional zoo dynamic.
CameraShot
Mostly static shots from the perspective of the chimpanzee observers, looking into the human enclosures. The initial shot is a wide-angle tracking shot, following the chimpanzees as they approach the zoo entrance. Later shots feature close-ups of the chimpanzees' reactions and the humans within their 'habitats'.
Reverse Prompt
SceneDescription
A nighttime suburban driveway and porch area, festively decorated for Halloween. A life-sized witch decoration, with a green face, black hat, and black robe, stands next to an orange 'TAKE ONE' candy bucket. Behind them are several orange pumpkin decorations, some stacked, and some inflatable. The scene is illuminated by a porch light, casting a warm glow, with a distant street light visible further down the street. The background shows other houses and parked cars under a dark night sky. The ground is a light-colored concrete driveway. A large, dark-furred black bear is the central figure, interacting with the decorations.
Actions
- A black bear walks into the frame from the right, approaching the Halloween decorations.
- The bear sniffs around the witch decoration and the candy bucket.
- The bear lunges at the pumpkin decorations, knocking them over.
- The bear paws at the witch decoration, causing it to fall.
- The bear causes candy corn to scatter on the ground.
- The bear knocks over the 'TAKE ONE' candy bucket, spilling its contents.
- The bear continues to investigate and disrupt the fallen decorations.
- The bear takes a brief pause, looking around.
- The bear then walks away from the scene towards the left side of the frame, leaving the decorations in disarray.
Dialogue
- Witch cackling sound effect is heard.
- Growling and snorting sounds from the bear are heard.
- Sounds of objects falling and scattering (decorations, candy) are heard.
Cinematography
Mood
Humorous, mischievous, chaotic, and surprising.
CameraShot
High-angle, extreme wide-angle fisheye lens, mimicking a security camera or doorbell cam view. The shot is static.
Giant ice block carrying a woolly mammoth melts on the highway. Nature's slowest delivery!
by @dreemx84.0Kviews
1.6Klikes
21comments
Reverse Prompt
SceneDescription
A slightly low-angle, medium-long shot of a semi-truck driving along a desolate, two-lane highway at what appears to be dawn or dusk. The truck's flatbed trailer carries an impossibly large, rectangular block of translucent blue ice. Within this colossal ice block, a perfectly preserved woolly mammoth with brown fur, long trunk, and impressive tusks is clearly visible, frozen in time. The ice block is actively melting, with water dripping and splashing onto the road, creating illuminated streaks and droplets. The roadside is covered in dry, brown grass, and the sky above is a clear, pale blue, suggesting either early morning or late afternoon light.
Actions
- A semi-truck drives along a highway.
- The truck's flatbed trailer carries a massive, translucent blue ice block.
- A woolly mammoth is frozen inside the ice block.
- Water is visibly dripping and splashing from the bottom of the melting ice block onto the road.
- Small pieces of ice or water spray from the melting block onto the road surface.
- The truck continues to move forward, pulling its unusual cargo.
Dialogue
- The distinct sound of a large truck engine rumbling as it passes.
- Splashing and dripping sounds of water from the melting ice block.
Cinematography
Mood
Awe-inspiring, surreal, mysterious, and slightly fantastical.
CameraShot
Medium-long shot, slightly low angle, static. The camera captures the truck and its cargo as it passes by.
Reverse Prompt
SceneDescription
The scene opens inside an airplane cabin where passengers are reacting in terror. The cabin is modern with rows of blue and gray seats, overhead compartments, and windows showing an indistinct view outside. The lighting is artificial, coming from the cabin's ceiling lights. The camera then cuts to a surreal, high-altitude view of a giant ginger cat playfully batting at a full-sized airplane with its paw. The background shows a vast landscape of green fields and mountains under a cloudy sky.
Actions
- Passengers inside the plane are screaming and reacting in panic, some ducking for cover.
- The camera shakes violently, indicating turbulence or impact.
- The camera cuts to an exterior shot of a giant ginger cat playfully batting an airplane with its paw.
- The airplane tumbles slightly as the cat interacts with it.
Dialogue
- Sounds of terrified screams and panicked exclamations from passengers.
- A female voice shouts: 'Hold on, everyone! Seatbelts!'
- A male voice asks: 'What is that outside?'
- A female voice exclaims: 'It's huge!'
- A male voice shouts: 'Brace! Brace!'
- A female voice shouts: 'Stay down! Keep your heads low!'
Cinematography
Mood
Initially frantic and terrifying, then abruptly shifts to humorous and surreal.
CameraShot
The first part of the video uses a handheld, shaky camera, creating a chaotic and immediate feel. The perspective is from within the plane, looking forward through the cabin. The second part transitions to a wide-angle, static shot, positioned slightly below the giant cat, looking up at it and the airplane, with a panoramic view of the landscape below.
Reverse Prompt
SceneDescription
The video starts with a first-person perspective looking down a very tall cliff into a narrow, clear turquoise cove. The open ocean is visible beyond the cove under a bright blue sky with scattered clouds. The person's bare feet and lower legs (wearing black shorts) are visible at the edge of the cliff. The scene transitions to an underwater view, revealing a large white shark swimming gracefully in deep blue water under the shimmering surface. The shark's white belly and grey back are clearly visible. The final shot is a first-person underwater view looking down at the person's feet and a blue snorkel mask, surrounded by the clear blue water.
Actions
- A person stands on the edge of a tall cliff, looking down into a cove.
- The person extends their arms and jumps off the cliff.
- The camera quickly descends into the turquoise water, showing bubbles.
- The view transitions to an underwater scene, revealing a large white shark swimming horizontally from left to right.
- The shark continues to swim, turning its head slightly.
- The camera view changes to a first-person perspective looking down at the person's own feet and a snorkel mask, implying they are now underwater with the shark.
Dialogue
- [Sound of wind]
- [Sound of splashing water]
- [Underwater gurgling sounds]
Cinematography
Mood
Adventurous, thrilling, and exhilarating, transitioning to a sense of awe and then immediate danger underwater.
CameraShot
Extreme wide-angle, first-person perspective, mimicking a GoPro or similar action camera. The initial shot is high-angle looking down. The underwater shots are also first-person, with the shark shot at eye level and the final shot looking down at the feet. The camera is handheld and moves to follow the action, especially during the jump and underwater.
Reverse Prompt
SceneDescription
A comical and absurd daytime scene captured by a wide-angle security camera on a residential porch. A large orangutan, with dark red fur, stands on a brown doormat in front of a white house with a red brick facade. To its right, a dark brown front door is partially open, revealing a glimpse of the interior and a woman wearing a light blue top and patterned skirt. Three small, green toy tanks, resembling plastic military toys, are lined up on the doormat, pointing towards the door. The setting is bright and clear, indicative of a daytime shot, with bare trees visible in the distant background.
Actions
- The orangutan points its right arm towards the front door.
- The front door opens, and a woman appears, laughing.
- The orangutan's arm moves, and the three toy tanks on the doormat begin to 'fire', emitting bright flashes of light, sparks, and smoke.
- The orangutan quickly crouches down, covering its head with its arm.
- The woman quickly ducks back inside the house as the tanks continue to 'fire'.
- The tanks stop firing, leaving glowing embers.
- The orangutan remains crouched, cautiously looking towards the door.
Dialogue
- Doorbell chime: 'Ding Dong!'
- Woman's voice: 'Hello!'
- [Sound of explosions and gunfire from the toy tanks]
- Woman screams.
Cinematography
Mood
Comical, surprising, and slightly chaotic.
CameraShot
High-angle, extreme wide-angle fisheye lens, mimicking a security camera or doorbell cam view. The shot is static.
Reverse Prompt
SceneDescription
A spartan, dimly lit room resembling a military barrack or prison cell. The walls are a dirty, cracked off-white, and the floor is a bare, rough concrete. A single, exposed light bulb hangs from the ceiling, casting a harsh, bright light. On the left wall, two framed portraits of what appear to be North Korean leaders (Kim Il-sung and Kim Jong-il) are prominently displayed above a small television set. The television is showing a news broadcast with a North Korean flag in the background. To the right of the TV, a metal cot with a simple, olive-drab blanket sits against the wall. A wooden chair with a folded uniform or blanket on it is positioned to the right of the cot. A small, white electric fan is on the floor next to the chair. A wooden door frame is visible on the far left, suggesting the entrance to the room.
Actions
- The camera begins by showing the cot and the television on the left side of the room.
- The camera slowly pans right, revealing the wooden chair with a uniform and the fan on the floor.
- The camera then pans back to the left, showing the TV, the two framed portraits, and the cot again.
- The camera continues to pan slightly to the left, showing the wooden door frame.
Dialogue
- A male voice speaking Korean is heard from the television throughout the video, delivering what sounds like a news report.
- Sound of a fan operating in the background.
Cinematography
Mood
Stark, somber, and utilitarian, with an underlying sense of observation or surveillance due to the room's sparse nature and the displayed portraits.
CameraShot
Eye-level, medium shot, moving from right to left and back. The camera pans across the room, focusing on different elements before returning to the central view.
Reverse Prompt
SceneDescription
A glamorous woman, reminiscent of a fairy godmother, is seated in an elegant room. She has red hair styled in soft curls and is wearing a sparkling silver crown, a pink full-skirted gown with puffed sleeves adorned with silver stars, and a sparkling choker necklace. She holds a long, thin wand with a large silver star on top in her left hand, and a long, scrolled piece of parchment in her right hand. The background features a large, dark-paneled window or wall on the left, and a warm, glowing lamp on a dark shelf or table on the right. The lighting is soft and golden, highlighting her features and the sparkle of her attire.
Actions
- The woman begins by reading the parchment, her lips slightly parted in concentration.
- She then looks up at the camera, smiling slightly, as she continues to hold the parchment.
- She raises her eyebrows and nods her head slightly while looking at the camera.
- She slightly lowers her head, still smiling, and raises the parchment higher as if emphasizing its content.
- She then pulls the parchment taut and gestures with her right hand, holding the scroll.
- She looks back at the parchment, her expression becoming more serious as she continues to read.
- She finally rolls the parchment back up partially, looking back at the camera with a knowing expression.
Dialogue
- You Sora content violation warning, it says, similarity to third-party likeness. My goodness, well, that's rather particular, isn't it? I do believe even warning should sparkle.
Cinematography
Mood
Enchanting, theatrical, and slightly humorous.
CameraShot
Medium shot, static camera, focusing on the woman from the waist up.
Reverse Prompt
SceneDescription
A lush, photorealistic forest stream scene bathed in dappled sunlight. Several green and brown frogs are perched on moss-covered rocks that jut out of the gently flowing water. The focus is on a large frog in the immediate foreground, sitting centrally on a vibrant green mossy stone. The background features a dense forest with soft focus, creating a shallow depth of field that highlights the main subject. The lighting includes visible sunbeams (god rays) filtering through the canopy above.
Actions
- The central frog sits calmly on the rock as the water flows past.
- The frog opens its mouth slightly, seemingly in sync with a rhythmic beat.
- The frog then opens its mouth wide to mimic speaking.
- Finally, the frog opens its mouth extremely wide to let out a scream.
Dialogue
- [Rhythmic synthesized beat: 'dun-dun-dun']
- Voiceover: 'It is Wednesday my dudes.'
- [Loud, comical screaming sound: 'aaaaAAAAHHHHH!']
- [Ambient sound of water flowing]
Cinematography
Mood
Naturalistic and serene initially, abruptly shifting to humorous and internet-culture/meme-referential.
CameraShot
Low-angle, close-up shot positioned at eye level with the frog. The camera is mostly static with very subtle, stabilizing movement.
Reverse Prompt
SceneDescription
A slightly surreal and humorous night scene captured through a fisheye lens, as if from a doorbell camera. Four men, three of whom are recognizable as celebrity look-alikes (Kobe Bryant, Tupac Shakur, and Juice WRLD), are standing at a front door. Tupac, in the foreground, is wearing a grey sweatshirt and a blue bandana, holding a white bowl filled with what appears to be beans and a pink slice of bologna. The other three men are behind him, two bald and one with dreadlocks. They are all looking directly at the camera with varying expressions of engagement. The background is a dark, suburban night scene with dimly lit houses in the distance. The overall lighting is dim, emanating from an unseen porch light, creating a slightly exaggerated, almost cartoonish effect on their faces due to the fisheye distortion.
Actions
- The four men stand mostly still, facing the camera.
- Tupac Shakur look-alike holds a bowl of beans and a slice of bologna towards the camera.
- The men behind Tupac slightly shift their gazes and expressions throughout the video, appearing to react to the 'Beans Baloney' chant.
- The man in the green and white jacket (Juice WRLD look-alike) gestures with his right hand as if counting or emphasizing a point.
Dialogue
- Singing: "Beans baloney. Beans baloney, beans baloney. Say it loud, beans baloney. Let's go! Beans baloney, beans baloney. Pass the quick beans baloney. Uh-huh, beans baloney."
Cinematography
Mood
Humorous, surreal, and slightly disorienting due to the fisheye effect.
CameraShot
Extreme wide-angle fisheye lens, mimicking a doorbell camera view. The shot is static and centered on the group of men.
Reverse Prompt
SceneDescription
A drab, institutional-looking meeting room with plain, light-colored walls and a white drop ceiling with overhead fluorescent lighting fixtures. Four distinct figures are seated in black folding chairs, arranged in a circular formation around a small, square black table. On the table, there is a black coffee pot and two white cups. On the wall behind the figures, a white sign with black text reads 'SORA CAMEO SUPPORT GROUP - Confidential(ish)'. The characters include: a man strongly resembling Bob Ross, with a large, curly brown afro and a full grey beard, wearing a light blue collared shirt, blue jeans, and brown boots; a man strongly resembling Mr. Rogers, with neat grey hair, wearing a light blue striped button-down shirt, a red tie, a yellow cardigan, and khaki pants, holding a white mug that says 'WORLD'S NICEST'; a woman strongly resembling Queen Elizabeth II, with white hair, wearing a vibrant purple hat, a matching purple jacket and dress, a multi-strand pearl necklace, a prominent star-shaped brooch, and white gloves; and a giant, bright yellow rubber duck with an orange beak. The overall lighting is functional, somewhat sterile, and evenly distributed, typical of an office or meeting room.
Actions
- All four figures are seated in their respective chairs, forming a support group circle.
- The man resembling Bob Ross sits slumped in his chair, looking weary and somewhat disgruntled, his hands resting on his lap.
- The man resembling Mr. Rogers holds his 'WORLD'S NICEST' mug with both hands, his expression conveying mild concern or stress.
- The woman resembling Queen Elizabeth II sits upright with a cheerful smile, and as she speaks, she gestures emphatically with her white-gloved hand.
- The giant yellow rubber duck remains completely still and silent throughout the scene.
- Each human-like character looks directly into the camera when they deliver their lines, adopting a confessional tone.
Dialogue
- Bob Ross look-alike: 'They made me paint a flaming burrito riding a unicorn through a tornado.'
- Mr. Rogers look-alike: 'If one more person makes me explain what "rizz" means, I'm gonna put my sweater in the shredder.'
- Queen Elizabeth II look-alike: 'Actually, I'm thriving. My trap album drops Friday. It's called "Crown Control". We're all just happy little accidents.'
- [A constant low humming sound, like fluorescent lights or ventilation, is present throughout the scene]
Cinematography
Mood
Ironic, deadpan, humorous, and absurd, with an underlying sense of shared, slightly mundane distress or resignation, contrasting with the Queen's unexpected cheerfulness.
CameraShot
The video opens with a static medium-wide shot, capturing all four figures and the overall setting from a slightly elevated perspective. It then cuts to static close-up shots of each human-like character as they speak, framed from an eye-level perspective, highlighting their facial expressions.
Spittin' Pigeon 🎷 @cameoed 🌀 Remix ideas below: -Replace the pigeon with a person, character, or animal -SCRAP the pigeon all together, change the music... and use this popular "hyper-zoom velocity edit" edit style to put anything in the middle -Change the instrument and the genre of music -Make this pigeon famous—put him on any stage -Add a lil pigeon audience -Keep everything the same but put the pigeon somewhere you wouldn't expect
by @cameoed74.3Kviews
1.3Klikes
55comments
Reverse Prompt
SceneDescription
A pigeon, adorned with a vibrant red scarf, performs a jazz saxophone solo on a bustling city street. The pigeon's head, beak, and eye are shown in close-up, revealing intricate details of its feathers and a bright orange iris. The street, likely a major thoroughfare like Times Square given the bright lights and towering buildings, is filled with blurred pedestrians and other pigeons, adding to the urban ambiance. The saxophone, a polished brass instrument, is held by the pigeon's feet, creating a surreal and charming scene. The lighting suggests daytime with a bright sky, but the city lights are still prominent, indicating a vibrant urban environment.
Actions
- The pigeon bobs its head to the rhythm of the saxophone music.
- The pigeon opens and closes its beak as if playing the saxophone.
- The pigeon's feet move on the saxophone keys, simulating playing.
- The pigeon waddles slightly while playing the saxophone on the street.
Dialogue
- Upbeat jazz saxophone music playing continuously throughout the video.
- Occasional ambient city sounds, like distant traffic or muffled chatter, are present but subdued by the music.
Cinematography
Mood
Whimsical, entertaining, and lively, with a touch of surreal humor.
CameraShot
Alternates between extreme close-ups of the pigeon's head and the saxophone keys, and wide shots from a low angle, eye-level with the pigeon, showcasing the street and buildings. The camera is dynamic, moving in and out of close-ups and wide shots, creating a lively rhythm.
Reverse Prompt
SceneDescription
A retro-futuristic living room with mid-century modern aesthetics. Two humanoid robots are the primary subjects. One robot with a square, television-like head sits comfortably in a teal armchair, wearing a yellow cable-knit sweater and reading a newspaper. The second robot, bulkier with a rounded dome head and glowing blue eyes, stands in the background by a doorway. This standing robot wears a brown and tan racing-style jacket over blue trousers. The room is warmly lit by a lamp with a pleated shade. A potted fern hangs in the upper left corner, and the background features a door with a window and a wall with decorative tiles.
Actions
- The sitting robot reads a newspaper intently.
- The standing robot enters or stands in the doorway, looking toward the sitting robot.
- The standing robot reaches into its own torso compartment, which opens like a small door.
- The standing robot pulls a bag of chips and a bowl out of its chest.
- The sitting robot lowers the newspaper and looks toward the standing robot in response to the dialogue.
- Canned laughter tracks play after the punchline.
Dialogue
- Standing Robot: You got any salsa?
- Sitting Robot: For what?
- Standing Robot: For my chips.
- [Audience laughter]
Cinematography
Mood
Humorous, nostalgic, and quirky.
CameraShot
Medium shot, static, eye-level. The composition is reminiscent of a multi-camera sitcom set.
My featured video fell into the darkness, I know exactly how we're gonna treat this!
by @crazynonsense70.8Kviews
1.2Klikes
45comments
Reverse Prompt
SceneDescription
A brightly lit church interior with white walls and a light-colored aisle. The church features high, arched stained-glass windows depicting a sun-like pattern in blue and yellow hues. Ornate chandeliers hang from the ceiling. Brown wooden pews line both sides of the aisle, with a few congregants visible from behind, sitting in the pews. At the front of the church, there's an altar area with a marble altar and religious statues. A priest, dressed in white vestments with a green and white stole, is delivering a sermon while riding a self-balancing scooter (hoverboard) with glowing blue lights. The scene is observed from a high-angle, static perspective, possibly from a security camera.
Actions
- The priest glides down the church aisle on a hoverboard, facing the congregants and speaking into a microphone.
- He turns around to face the altar while continuing to speak.
- He glides towards the altar on the hoverboard.
- Upon reaching the altar area, he raises his arms in a gesture of prayer or praise, while still on the hoverboard.
Dialogue
- Priest says: "...from we walk by faith and not by sight and when the spirit moves my friends there is no stopping it. The Lord meets us right where we are and he carries us further and our feet to never go."
Cinematography
Mood
Humorous, irreverent, and somewhat anachronistic.
CameraShot
High-angle, static shot, mimicking a security camera or surveillance footage. The framing captures the full length of the aisle from the back of the church to the altar.
Reverse Prompt
SceneDescription
A brightly lit indoor scene, likely a living room, with a woman and a fluffy, medium-sized dog on a light-colored rug. The dog is a golden doodle with curly brown fur, sitting on all fours. The woman is kneeling to the dog's right, wearing a light beige sweater and blue jeans. Behind them, a light gray sofa with pillows is visible, and a coffee table in front of it. A large window is on the left side of the frame, letting in natural light. On the rug in front of the dog is a black rectangular mat with numerous circular buttons (some yellow, some light blue, some dark blue) arranged in a grid. The overall atmosphere is light and playful.
Actions
- The woman asks, "What's your favorite number?"
- The dog raises its right paw and presses a yellow button on the mat, which then glows.
- The dog repeatedly presses the same yellow button with its right paw, making it glow each time.
- The woman reacts with amusement, smiling and leaning forward slightly.
Dialogue
- Woman: "What's your favorite number?"
- Button: "Sixty-Seven."
- Woman: "No, you can't just that's random."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
- Button: "Sixty-Seven."
Cinematography
Mood
Playful, lighthearted, and heartwarming.
CameraShot
Medium shot, eye-level with the dog, static frame.
Reverse Prompt
SceneDescription
A vintage 1970s news broadcast showing a male politician, likely Richard Nixon, delivering a speech at a podium. He is wearing a dark suit with a white shirt and a red tie. The background features warm, amber-colored curtains and an American flag to the left. The scene is brightly lit with a professional, somewhat harsh, broadcast lighting style. The video has a grainy, old-television aesthetic.
Actions
- The politician stands behind a wooden podium adorned with the Presidential Seal, speaking passionately into two microphones.
- He gestures occasionally with his hands to emphasize points.
- The camera cuts to a shot of the audience, who are mostly well-dressed men and women, attentively listening and applauding.
- The audience members clap in unison as the camera pans slightly across them.
- The camera cuts back to the politician, who continues his speech with a determined expression.
Dialogue
- Politician says: My fellow Americans, one thing I'm never going to do to the American people is give them up. I will never let them down. I'll never run around and desert anyone in this country. I'll never make them cry or say goodbye.
- [Sound of applause from the audience]
Cinematography
Mood
Serious, formal, and historic.
CameraShot
Medium shot with occasional cuts to wider shots of the audience. The camera maintains a stable, journalistic perspective.
Reverse Prompt
SceneDescription
A dynamic montage showcasing Shaquille O'Neal as a fighter pilot. The scenes transition from a pre-flight cockpit view on a sunny runway to various in-flight aerial perspectives over diverse landscapes (ocean, mountains, desert) under a clear blue sky. Shaquille O'Neal is seen wearing a dark green flight suit, a life vest/harness, and a dark grey pilot's helmet with 'DIESEL' written across the front in white with orange accents. He is sometimes seen with a full oxygen mask. The fighter jets appear to be F-16s and F/A-18 Super Hornets.
Actions
- Shaquille O'Neal, in a fighter jet cockpit, speaks to the camera.
- He raises his gloved right hand and adjusts his helmet visor.
- A fighter jet stands stationary on a runway.
- A gloved hand firmly holds the flight stick inside a cockpit.
- Multiple fighter jets fly in formation over an ocean with distant land.
- Shaquille O'Neal is seen wearing a pilot's helmet and an oxygen mask, looking directly at the camera.
- A fighter jet flies inverted (upside down) over a desert landscape, trailing another jet.
- Shaquille O'Neal, helmeted, smiles broadly in the cockpit, facing the camera, with a bright sky in the background.
Dialogue
- Shaquille O'Neal: "That's right."
- Shaquille O'Neal: "This is Diesel, ready for takeoff."
- Shaquille O'Neal: "Air speeds alive, rollin'."
- Shaquille O'Neal: "We are airborne."
- Shaquille O'Neal: "Banking left."
- Shaquille O'Neal: "Look at that view."
- Shaquille O'Neal: "Smooth pressure on the stick."
- Shaquille O'Neal: "Feels good up here."
- Shaquille O'Neal: "Diesel out!"
Cinematography
Mood
Action-packed, exhilarating, confident, and adventurous.
CameraShot
A sequence of varied shots: medium close-up selfie-style shots of Shaquille O'Neal in the cockpit, a ground-level medium shot of a fighter jet's tail on a runway, a close-up of a gloved hand on the flight stick, wide dynamic shots of fighter jets flying in formation over water and desert, and an inverted (upside down) cockpit view of the sky and landscape. Shots are a mix of static and dynamic, with fluid camera movements during flight sequences.
Reverse Prompt
SceneDescription
A close-up shot inside a car, focusing on a man with disheveled hair and a grey tabby cat in a black harness. The man is holding a coffee cup, and his mouth is slightly open as if he's surprised. The cat is sitting upright, with its front paws on the steering wheel, looking forward intently. The man is wearing a light-colored hooded jacket, and the cat is sitting on his lap, which is covered by blue jeans. The car's interior is light-colored, and there's a sunroof visible. The scene is brightly lit, possibly from daylight filtering through the car windows.
Actions
- The man is holding a coffee cup and looking surprised with his mouth agape.
- The cat has its paws on the steering wheel and is looking forward.
- Suddenly, the cat makes a quick upward movement with its head and front paws, as if startled or hitting something.
- Coffee spills from the man's cup, splattering on his face and jacket.
- The man looks even more surprised and a bit horrified with coffee on his face.
- The cat remains focused, looking forward, seemingly unaffected by the spilled coffee.
- The man's eyes are wide, and his mouth is still open in shock, now covered in coffee.
- The cat turns its head slightly towards the camera, maintaining its serious expression.
Dialogue
- Sound of a car driving.
- Sound of the cat making a sudden movement, potentially bumping something.
- Sound of coffee spilling and splashing.
Cinematography
Mood
Humorous and slightly chaotic.
CameraShot
Medium shot, eye-level, static shot.
Reverse Prompt
SceneDescription
A close-up view of an aquarium filled with vibrant, genetically modified salmon. These fish are distinctly orange with white patterns mimicking the appearance of salmon fillets, including the central bone structure. The aquarium's gravel bed is visible at the bottom, along with a few smooth, grey stones. Bubbles rise from the right side of the tank, creating a dynamic background. The lighting is bright and clear, enhancing the vivid colors of the fish and the blue hue of the water.
Actions
- Several salmon-fillet-like fish swim gracefully in the aquarium.
- Bubbles rise continuously from the bottom right of the tank.
- The fish occasionally turn, showing both sides of their unique bodies.
- One fish in the foreground swims to the left, then back to the right, showing its full profile.
Dialogue
- Man says: Oh, wild salmon.
- Man says: Wow, this is what they actually look like in the wild.
- Man says: Beautiful.
Cinematography
Mood
Fanciful, surreal, and slightly humorous due to the unusual appearance of the fish.
CameraShot
Medium shot, eye-level, static. The focus is sharp on the swimming fish.
Reverse Prompt
SceneDescription
A surreal and comical indoor kitchen scene featuring a large ginger tabby cat lounging comfortably inside a massive, steaming tray of lasagna. The cat is partially submerged in the layers of pasta, red marinara sauce, and melted mozzarella cheese. The kitchen background is cozy and rustic, with wooden utensils, a bunch of fresh red tomatoes on the vine, a small vintage-style radio, and indoor plants in the background. The lighting is warm and soft, emphasizing the gooey texture of the cheese and the cat's orange fur.
Actions
- The ginger cat takes a bite of the lasagna, pulling a long string of melted cheese from its mouth.
- The cat chews the food while looking directly toward the camera with a satisfied expression.
- The cat licks its lips and whiskers, cleaning off remnants of tomato sauce.
- The cat shifts its weight slightly within the lasagna tray, looking around the kitchen before taking another bite.
Dialogue
- [Dramatic Italian opera music playing in the background]
- [Sound of cat chewing and soft smacking sounds]
Cinematography
Mood
Humorous, cozy, and absurdly surreal.
CameraShot
Medium close-up shot, slightly high-angle, focusing on the cat's upper body and its interaction with the lasagna. The camera remains mostly static with subtle organic movement.
The Atlanta Police is forcing me to post this statement: DEAR ALL, I am so deeply sorry about the stressful incident I inadvertently caused at Lakeside High School over the weekend. I was forced to bring my pet gorilla Coke along to a 6-hour CPR training course after I could not find a Rover to take care of him for that period. I thought this would be acceptable, seeing as I emailed the instructor ahead of time alerting him that I needed to bring my emotional support animal along. After all, he
by @cameoed68.8Kviews
2.3Klikes
60comments
Reverse Prompt
SceneDescription
A brightly lit, institutional classroom setting featuring a whiteboard, a wall clock, and drop ceilings. An older male instructor with glasses, wearing a light blue polo shirt and khakis, stands beside a table holding a CPR dummy. Surprisingly, the 'student' standing at the table to perform CPR is a massive, realistic silverback gorilla. A diverse group of human students sits at desks in the foreground, their backs to the camera, watching the demonstration. The atmosphere shifts instantly from a mundane training session to violent chaos.
Actions
- The instructor gestures with his hands, coaching the gorilla on the rhythm of CPR.
- The gorilla stands imposingly over the dummy, listening.
- Immediately after the instructor mentions the song rhythm, the gorilla snaps, roaring and smashing its fists down onto the table.
- The gorilla violently flips the table, sending the CPR dummy and furniture flying toward the seated students.
- The instructor flinches and backs away rapidly toward the whiteboard.
- The students scream and duck for cover as debris flies.
- The gorilla continues the rampage, grabbing a chair and throwing it while moving aggressively across the front of the room.
- The cameraman flinches, causing the view to shake and blur as the scene cuts.
Dialogue
- Instructor: 'Now press down repeatedly as you sing: Staying alive, staying alive.'
- [Sudden, deafening crash of the table being smashed]
- [Loud, aggressive gorilla roaring]
- [Multiple students screaming in panic]
- [Sounds of metal and plastic clattering against the floor]
Cinematography
Mood
Surreal and humorous initially, abruptly transitioning to chaotic, terrifying, and high-energy.
CameraShot
Vertical (9:16) handheld shot mimicking a smartphone recording from the perspective of a student in the audience. The camera is initially steady but becomes extremely shaky and pans erratically to track the sudden, violent movement.