Sora AI Video Prompts

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SceneDescription

A surreal and humorous daytime scene on a wet, grey city street. A German Shepherd dog is remarkably 'riding' a bicycle on its hind legs, with its front paws on the handlebars, appearing to pedal. Behind the dog, a white police car with flashing blue and red lights is visible in the distance. The street is lined with multi-story, grey apartment buildings with numerous windows, and bare trees. The ground is damp, suggesting recent rain or melting snow, with reflections of the overcast sky. The video is filmed from inside a moving vehicle (likely a bus or car), with a dark window frame and a blue patterned seat visible in the foreground.

Actions

A German Shepherd dog balances and 'rides' a bicycle on its hind legs, holding the handlebars with its front paws.
The dog's hind legs move in a pedaling motion.
The dog's mouth is open, as if panting or expressing excitement.
A police car follows some distance behind the dog.
The filming vehicle (and camera) moves parallel to the dog, keeping pace with it.

Dialogue

Person 1 (Russian): Это пёс на велосипеде, ты видишь? (It's a dog on a bicycle, do you see?)
Person 2 (Russian): Я видел, Боже! (I saw, God!)
Person 1 (Russian): Как он крутит! (How he's pedaling!)
Person 2 (Russian): И менты за ним с ума сойти. (And the cops behind him are going crazy.)
Person 2 (Russian): Вот это да! (Wow!)
Laughter from multiple people.

Cinematography

Mood

Humorous, astonishing, and slightly chaotic.

CameraShot

Medium shot, eye-level with the dog. The camera is static relative to the interior of the filming vehicle but moving alongside the dog, tracking its movement down the street.

@snoopdogg dressed in a grey flannel performs a fatality where he hands his opponent a blunt. His opponent take a big hit of the blunt and he inflates like a ballon so large and pop into a cloud of smoke. @snoopdogg starts laughing. In the style of a fighting video game

by @snoopdogg

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SceneDescription

A stylized fighting game sequence set in a dark, urban alleyway at night. The scene features a character resembling Snoop Dogg, wearing a grey and white plaid shirt, baggy jeans, and sunglasses, facing off against a muscular brawler in a black tactical vest and cargo pants. The environment is atmospheric with neon signs, damp pavement, and cinematic lighting that creates a high-contrast, gritty aesthetic. The interface mimics a 2.5D fighting game like Mortal Kombat, complete with health bars, names, and a 'Fatality' announcement.

Actions

Snoop Dogg holds out a lit blunt to the dazed brawler.
The brawler takes a hit from the blunt and immediately begins to swell up.
The brawler transforms into a massive, perfectly spherical black ball with his head, hands, and feet poking out.
The sphere bounces once and then collapses, releasing a large cloud of white smoke.
Snoop Dogg laughs and gestures toward the camera as the 'FATALITY' text appears on screen.
The victor, Snoop Dogg, smiles and speaks to the loser while the UI highlights his win.

Dialogue

Snoop Dogg says: 'Look here, man. You done. Take a hit, calm your soul.'
Snoop Dogg says: 'Oh, too much for you?'
Snoop Dogg says: 'Haha! Boom! That's a wrap, nephew.'
Announcer voice: 'FATALITY. CROWNED SNOOP DOGG. YOU SEE HOW WE DO?'
[Sound of a lighter flicking and bubbling smoke sounds]
[Comedic 'boing' sound effect when the character inflates]

Cinematography

Mood

Humorous, surreal, and stylized with a hip-hop influence.

CameraShot

The scene transitions from a wide-angle lateral fighting game perspective to cinematic close-ups and medium shots as the 'finishing move' occurs, ending with a centered medium shot of the victor.

When the woodpecker finally meets the squirrel who's had enough of the 6 AM drum solo

by @dreemx

67.8Kviews

1.2Klikes

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SceneDescription

A surreal and comical wildlife encounter unfolding on the side of a large tree trunk. A great spotted woodpecker, characterized by its black and white plumage and red nape, is vigorously pecking at a hole in the rough grey bark, sending wood chips flying. Unexpectedly, a small red squirrel emerges from the hole, appearing annoyed. The squirrel reaches out and pulls a miniature black handgun on the woodpecker, aiming it directly at the bird's head. The background is a soft-focus blur of golden and green foliage, suggesting an autumn forest setting with warm, natural lighting.

Actions

The woodpecker rapidly pecks at the tree bark, creating wood shavings.
A squirrel's head pops out of a circular hole in the tree trunk.
The squirrel extends its paws, holding a tiny, realistic-looking handgun.
The squirrel aims the gun at the woodpecker's face.
The woodpecker stops pecking and freezes in place, looking startled.
The squirrel maintains its aim while looking directly at the bird.

Dialogue

Rapid, rhythmic tapping sound of the woodpecker pecking wood.
Soft rustling as the squirrel moves.
Mechanical 'click-clack' sound as the squirrel readies the miniature gun.
Ambient forest sounds: distant bird calls and light wind.

Cinematography

Mood

Humorous, absurd, and shocking.

CameraShot

Close-up, eye-level static shot focused on the interaction between the bird and the squirrel on the tree trunk.

Follow @eSlop for more slop

67.1Kviews

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SceneDescription

A brightly lit supermarket checkout aisle. A female cashier, wearing a red short-sleeved shirt and a dark grey apron with a name tag that reads 'KAYLEE', stands behind the counter. She has blonde hair tied in a ponytail and is wearing clear gloves. In front of her is a black conveyor belt with an integrated scanner and a black tissue box. To the right of the cashier, shelves of groceries are visible in the background. In the foreground, a dark-skinned hand holds three brown eggs over the conveyor belt, just above the scanner area. The overall lighting is bright and even, typical of a supermarket interior.

Actions

The cashier places an egg from the carton onto the scanner.
The customer's hand holds three loose eggs above the conveyor belt.
The cashier gestures with her hands as she speaks.

Dialogue

Cashier: "Sir, you can't do this. You can't just put three loose eggs on the belt. You have to buy the whole carton, it's store policy."
Customer: "No, I buy the egg."
Cashier: "No, that's not how it works. They come in 12s. You need the carton, okay? I can't scan them like—"

Cinematography

Mood

Humorous and slightly confrontational.

CameraShot

Medium close-up, eye-level, static shot. The camera is positioned from the perspective of the customer, looking down at the eggs and up at the cashier.

Follow @eSlop for more slop

66.5Kviews

663likes

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SceneDescription

A brown bear, seen through a fisheye lens, attempts to ride a skateboard on a wooden front porch of a house. The house has light brown siding and a vibrant turquoise front door. A patch of snow is visible on the ground beside the porch, indicating a cold day. The sky is bright, suggesting daylight. The scene is brightly lit by natural light.

Actions

The bear approaches the skateboard with its front paws.
The bear attempts to place both front paws on the skateboard.
The skateboard slides forward and then backward under the bear's weight.
The bear struggles to maintain balance on the skateboard, its body rocking.
The bear raises its front paws in the air as if trying to balance.
The bear briefly gets both paws on the skateboard, moving it slightly forward.
The skateboard rolls backward, and the bear steps off of it.
The bear watches the skateboard for a moment.
The bear turns and walks off the porch, away from the camera.

Dialogue

Sounds of the skateboard wheels rolling and squeaking.
Ambient outdoor sounds.

Cinematography

Mood

Humorous and slightly surreal.

CameraShot

Low-angle, extreme wide-angle fisheye lens, mimicking a doorbell camera view. The shot is static.

A truck carrying baby oil crashed

66.4Kviews

1.3Klikes

57comments

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SceneDescription

A chaotic daytime scene unfolds on an asphalt road next to a white Johnson & Johnson semi-truck. A large spill of pink liquid and numerous small plastic bottles, likely containing baby shampoo, covers the road. Several men, some in safety vests and some in casual attire, are present. The sun is shining brightly, creating clear shadows.

Actions

A man in a green shirt and blue jeans slips on the pink liquid, flailing his arms as he falls.
The man in the green shirt lands flat on his stomach, arms and legs spread out, surrounded by bottles.
A man in a yellow safety vest walks gingerly through the spilled liquid.
The man in the green shirt attempts to stand up but struggles on the slippery surface.
Another man in a white shirt and blue jeans gingerly walks across the slick surface, squatting slightly for balance.
The camera pans to show the full extent of the spill and the Johnson & Johnson truck.
A man in a gray shirt and blue jeans slips and almost falls but catches himself, then laughs.
The man in the green shirt is seen again, still lying on the ground.
A man in a black shirt and blue shorts approaches another man in a yellow safety vest, who is holding a red pole, seemingly for assistance or to block off the area.
The camera focuses on the spilled liquid and bottles on the road, emphasizing the slippery conditions.
A man in a black shirt reaches down to pick up a cone from the road.
Another man in a black shirt runs through the scene to pick up a cone.
A man in a red hoodie slips and falls backward, landing on the wet road.
The man in the green shirt remains prone on the ground, seemingly resigned to his predicament.

Dialogue

Male voice: "Oh!"
Male voice: "He's going down!"
Male voice: "Oh my God!"
Male voice: "Bro, he slid like a cartoon."
Male voice: "Get away, stay back. It's slick as ice."
Male voice: "Grab the cones, we gotta block lane two."
Male voice: "Got 'em, got 'em, got 'em, oh!"

Cinematography

Mood

Chaotic, humorous, and slightly frantic.

CameraShot

Handheld, dynamic close-up and medium shots, with frequent camera movement to follow the action. The camera is often at a low angle, emphasizing the slippery surface.

🦀 🍔

by @memexpert

65.9Kviews

1.5Klikes

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SceneDescription

A surreal and absurd scene on a sandy beach under a bright, overcast sky. Dozens of 'hamburger crabs'—creatures with the body of a sesame seed cheeseburger and the red legs of a crab—are scuttling across the sand toward the ocean waves in the background. The burgers feature visible layers of lettuce, tomato, cheese, and a beef patty. A man's hand enters the frame to pick one up, revealing the creature's moving legs. In the background, another man in a grey shirt and khaki shorts watches with a mix of shock and amusement before picking one up and taking a bite.

Actions

A swarm of hamburger crabs scuttles across the white sand toward the sea.
A hand with a wedding ring reaches down and picks up a hamburger crab from the sand.
The camera focuses on the hamburger crab held in the hand, showing its legs twitching and moving.
A man in the background bends down, picks up another hamburger crab, and takes a large bite out of it.
The person holding the camera turns the hamburger crab around to inspect it from different angles.

Dialogue

Man says: 'What in the world? Hang on, look at this thing. It's like a full burger with legs. Alright, here goes nothing.'
[Sound of ocean waves crashing in the background]
[Sound of wind and ambient beach noise]

Cinematography

Mood

Bizarre, comedic, and lighthearted.

CameraShot

Point-of-view (POV) handheld shot, starting at a low angle following the movement of the creatures on the sand, then transitioning to a close-up as one is lifted into the air.

Harambe lives. 🦍🙏

65.4Kviews

1.5Klikes

48comments

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SceneDescription

A dramatic and tense outdoor scene at what appears to be a zoo enclosure. A large, dark-furred gorilla is standing upright in a pool of murky, greenish water, holding a small human child dressed in an orange t-shirt and light shorts. The child is being held gently by the gorilla, who is partially submerged up to its waist/chest. Above them, a concrete wall separates the enclosure from a viewing area where several human onlookers, visible only by their hands and upper bodies, are reaching down towards the child. The lighting is bright and natural, suggesting daylight.

Actions

The gorilla holds the small child carefully in the water.
The gorilla gently lifts the child upwards towards the wall, positioning the child for rescue.
The gorilla extends its arms, holding the child's feet, making it easier for people above to reach.
Human hands from above reach down to grasp the child.
The gorilla helps push the child's feet upwards, assisting in the child's retrieval.
The child is successfully pulled out of the enclosure by the onlookers.
The gorilla watches the child being lifted to safety.
The gorilla turns and moves slightly away in the water after the child is safe.

Dialogue

Human voice: "Oh my god!"
Human voice: "Baby, please come here!"
Human voice: "Reach, come here!"
Human voice: "It's okay, it's okay, it's okay."
Human voice: "I got you! I got you!"
Human voice: "Thank you, thank you, thank you!"
Human voice: "Did you see that?!"

Cinematography

Mood

Tense, suspenseful, concerned, ultimately relieved and grateful.

CameraShot

High-angle, vertical medium shot, slightly handheld, capturing the gorilla and the child from above the enclosure wall. The shot remains focused on the interaction.

Day rate better be insane for this job 💸

65.3Kviews

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SceneDescription

A humorous and surreal first-person selfie video set on the dusty grey surface of the Moon. The central character is a construction worker with a beaming smile, wearing a white hard hat adorned with a Mexican flag sticker, an orange high-visibility safety vest, and a grey hoodie. He holds the camera at arm's length, capturing his face in the foreground and the lunar construction site behind him. In the background, rows of modern solar panels are being installed by other workers in similar safety gear. The sky is pitch black, dominated by a bright, blue-and-white Earth floating above the horizon. The lighting simulates harsh, unfiltered sunlight with sharp shadows and lens flares.

Actions

The construction worker talks excitedly directly into the camera lens.
He points his gloved finger back towards the solar panels installed behind him.
He pans the camera to the left to reveal the Earth hanging in the sky.
He points up at the Earth, then down at the other workers on the ground.
He gives a thumbs-up gesture to the camera.
The camera flares with sunlight as he moves.

Dialogue

Character speaking Spanish: '...chambiando' (working).
Character says: '...nomás atrás de mí, la Tierra completita' (Look, just behind me, the entire Earth).
Character says: 'y aquí estamos levantando los paneles solares bien chido' (and here we are raising the solar panels, really cool).
Character says: 'Chequen, chequen, chequen' (Check it out, check it out, check it out).
Character screams joyfully: 'Ahhh!'

Cinematography

Mood

Enthusiastic, surreal, proud, and comedic.

CameraShot

Handheld selfie perspective, wide-angle lens (simulating a phone camera), with shaky, dynamic movement as the subject pans around.

Cats are the most cunning animals 😺

by @midnotix

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1.4Klikes

13comments

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SceneDescription

A humorous and surreal evening scene captured from a doorbell camera perspective. A precarious tower of four domestic cats, varying in color (a black and white cat on top, a black cat below it, an orange tabby next, and a dark tabby at the bottom), is stacked vertically on a concrete front porch. The cats are positioned directly in front of a textured brick wall where a modern doorbell with a glowing ring is mounted. To the left, a 'WELCOME' mat lies on the porch. Beyond the porch, a sidewalk leads to a lush green lawn, and in the background, a typical suburban neighborhood with multiple houses, parked cars, and a street is visible under a clear, early evening sky with soft pink and orange hues from the setting sun. The scene is primarily illuminated by the natural twilight.

Actions

A stack of four cats stands motionless on the front porch, one balanced precisely on top of the other.
The topmost black and white cat slowly extends its right paw towards the doorbell.
The black and white cat presses the doorbell with its paw.
Immediately after the doorbell rings, the stack of cats collapses into a chaotic scramble.
The cats jump and tumble down from their stacked position.
The black and white cat and the black cat quickly run off the porch to the left.
The orange tabby and the dark tabby also scramble off the porch and disappear from view.
The porch and front yard are left empty as the cats have completely scattered.

Dialogue

[Loud, distinct doorbell chime]
[Multiple distressed cat vocalizations, yelps, and screeches as they scatter]
[Faint ambient neighborhood sounds]

Cinematography

Mood

Humorous, surprising, chaotic, and playful.

CameraShot

High-angle, extreme wide-angle fisheye lens, mimicking a doorbell camera view. The shot is static throughout the event.

Raccoons in the bathhouse 🦝

by @crazynonsense

64.1Kviews

983likes

26comments

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SceneDescription

A humorous and surreal scene set inside a traditional wooden sauna. Two raccoons are the main characters. One raccoon, wearing a grey felt sauna hat, stands upright on the wooden slats and is vigorously hitting another raccoon with a bundle of leafy green birch branches (a 'venik'). The second raccoon is lying face-down, sprawled out across the sauna bench, appearing relaxed or perhaps exhausted from the heat. To the right, a pile of dark sauna stones sits in a wooden enclosure, with visible wisps of steam rising from them. The lighting is warm and soft, consistent with a wooden sauna interior.

Actions

The raccoon wearing the hat repeatedly and rhythmically thrashes the resting raccoon with the green leafy branches.
The resting raccoon remains mostly motionless, draped over the edge of the wooden bench.
Steam continuously rises from the hot stones on the right side of the frame.
The raccoon with the branches shifts its weight slightly as it continues the 'massage' action.

Dialogue

[Sound of repetitive thumping and rustling as the branches hit the raccoon's fur]
[Soft hissing sound of steam rising from the hot stones]
[Ambient muffled sauna atmosphere]

Cinematography

Mood

Humorous, absurd, and bizarrely domestic.

CameraShot

Medium shot, static, eye-level with the raccoons. The framing focuses on the interaction between the two animals within the corner of the sauna.

# ORIGAMI LUMINANCE 2 ## Subject / Scene Settings - Audience: {locale="EN"}; Narrative tone: poetic/majestic; whisper of sci‑fantasy - Inference: from reference — luminescent wireframe origami crane in blue/violet bokeh; evokes dream‑tech myth; title style: sleek neon serif + subtle kanji ghosting. [oai_citation:0‡sora-template.md](file-service://file-UcNRPw5NA5ZXeZ7sJ7LFVs) - Subject type: abstract (origami crane made of particles/wire lattice) - Key features: crystalline folds; emissive circ

by @keigo_matsumaru

63.7Kviews

781likes

22comments

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SceneDescription

A digitally rendered origami crane, constructed from glowing blue and purple geometric lines and small particles, giving it a wireframe, crystalline, or holographic appearance. It exists within a dark, abstract, or cosmic void-like background, which is often enhanced with blurry bokeh lights, swirling luminous particles, and occasional subtle aurora-like glows. The lighting is internal and ethereal, emanating directly from the crane's intricate structure, casting a futuristic and magical ambiance.

Actions

A digital origami crane, formed by glowing blue and purple geometric lines, slowly rotates in an abstract, dark environment.
The crane glides and turns gracefully through the dark, particle-filled space.
The camera zooms in to reveal the intricate, glowing wireframe structure of the crane.
The crane's form appears to stretch and transform into a long, thin, abstract line of light.
The abstract light line reforms back into the distinct shape of an origami crane.
A swirling vortex of purple glowing particles and light trails emanates from around the flying crane.
The camera focuses on extreme close-ups of the interconnected, glowing geometric segments.
The crane flies over a vast field of numerous small, glowing, rectangular lights that ascend upwards from below.
The background shifts to a brighter, ethereal purple glow, akin to an aurora, as the small lights continue their upward trajectory.
The scene transitions to a light purple screen displaying the text 'NEURO-CRANE', 'LUMINESCENT LIGHT', and '光鶴' (Japanese for Light Crane).

Dialogue

[Ethereal, ambient background music plays, building a sense of wonder and mystery]
[Soft female voiceover]: Light remembers the shape of a wish.
[Soft female voiceover]: Every beat...
[Soft female voiceover]: Code becomes sky.

Cinematography

Mood

Ethereal, mysterious, technological, wondrous, and slightly spiritual.

CameraShot

Features a dynamic mix of medium shots and close-ups, with a shallow depth of field to emphasize the glowing details of the crane. The camera executes smooth pans, subtle zooms, and rotations, tracking the crane's fluid movements and transformations through the digital space.

"only room for one cat in this town" @cameoed

by @cameoed

63.6Kviews

1.8Klikes

51comments

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SceneDescription

A charming and humorous western scene featuring anthropomorphic cats. The setting is a dusty, sun-baked old western town with wooden buildings, a water tower in the distance, and rolling hills under a bright blue sky with scattered white clouds. The ground is a reddish-brown dirt road. The cats are dressed in cowboy attire, specifically a cowboy hat, a bandana around their neck, and a western-style coat/vest. The overall lighting is bright and natural, typical of a sunny day in the desert.

Actions

An orange tabby cat, dressed as a cowboy, looks intensely at the camera.
A black cat, also dressed as a cowboy, stares intently at the camera.
The orange tabby cat and the black cat are positioned on opposite sides of a can of tuna in the middle of a dusty western street, staring at each other in a standoff.

Dialogue

Sound of a lone wolf howling
Sound of a horse whinnying
Classic western-style whistling melody

Cinematography

Mood

Humorous, playful, and adventurous, evoking a classic western showdown with an unexpected twist.

CameraShot

Medium shot for the individual cat close-ups, focusing on their faces and upper bodies. The wide shot of the two cats is a low-angle, static shot, emphasizing their small stature in the vast western town.

SHE ESCAPED!!

by @rorotuck

62.9Kviews

1.0Klikes

35comments

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SceneDescription

The scene is a museum interior, brightly lit with warm, general illumination. The famous Mona Lisa painting hangs prominently on a beige-colored wall, behind a low, light-brown wooden barrier. In front of this barrier, several museum visitors are holding up their smartphones, capturing photos or videos of the painting. Suddenly, the glass covering the Mona Lisa shatters, and a woman dressed in a black long-sleeved dress with a low neckline and a brown skirt emerges from the shattered painting. She appears to be the Mona Lisa herself, now alive and in motion, startling the onlookers.

Actions

Museum visitors stand in front of the Mona Lisa, holding up their phones to capture images.
The glass protecting the Mona Lisa painting shatters, creating a visible spray of broken glass.
A woman, resembling the Mona Lisa, emerges through the shattered frame, stepping over the wooden barrier.
The woman lands on the ground, flailing her arms, and running towards the right side of the frame.
She stops abruptly, raising her hands in the air, seemingly screaming or exclaiming something.
The woman continues to run, then leaps onto a raised platform or display area.
She runs and exits the frame to the right, disappearing from view.

Dialogue

Voice 1: So real.
Voice 2: Wait, did she just—
[Sound of glass shattering loudly]
Woman: I am free! I am free! I am free!
Voice 3: Get her!
Woman: Oh my God! Oh my God!
Voice 4: Stop her!

Cinematography

Mood

Initially reverent and calm, then abruptly shifting to shock, surprise, and chaos.

CameraShot

Medium shot, handheld, slightly zoomed in on the Mona Lisa painting and the people in front of it. The camera shakily follows the woman as she emerges and moves into the crowd.

LA is getting crazy 🤣

61.5Kviews

1.4Klikes

35comments

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SceneDescription

A chaotic and thrilling night scene unfolds at a busy urban street intersection. A light rail train, with a silver body and yellow and blue stripes, is performing a dramatic drift maneuver, rotating in tight circles in the middle of the road. Thick white and purple smoke billows from its wheels, creating a hazy, surreal atmosphere. Above, colorful fireworks burst in the dark sky, particularly near a tall palm tree. The intersection is surrounded by a large, excited crowd of spectators, illuminated by streetlights, traffic signals (red and yellow), and the flashing red and blue lights of what appear to be emergency vehicles or police cars in the background. Buildings line the street, some with visible signs. In the foreground, from a slightly elevated perspective, two individuals are seen from behind, holding up their smartphones to record the spectacle.

Actions

A light rail train begins to drift in a circular motion in the middle of an intersection.
White and purple smoke billows from the train's wheels as it slides.
Fireworks explode in the night sky, casting light on a nearby palm tree.
The train completes a rotation, momentarily facing the camera head-on.
The train continues its drift, generating more smoke and glowing purple light around its path.
Two individuals in the foreground hold up their smartphones, actively recording the event.
The crowd gathered around the intersection watches intensely.
Police or emergency vehicle lights flash intermittently in the background.

Dialogue

Loud, excited cheers and shouts from the crowd.
Distinct screeching sound of the train's wheels on the pavement.
Sounds of fireworks exploding.
Someone exclaims: "Oh my god!"
A voice shouts: "Watch out!"

Cinematography

Mood

Chaotic, exhilarating, celebratory, dangerous, and surreal.

CameraShot

Static, medium shot, framed from behind spectators. The vertical aspect ratio suggests a mobile phone recording.

rollerghoster

59.6Kviews

1.2Klikes

34comments

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SceneDescription

A vibrant and exhilarating animated scene featuring a cartoonish ghost riding a roller coaster on a bright, clear day. The ghost is stylized with a simple white, sheet-like body, two large black eye holes, and a wide-open black mouth hole, conveying a mix of terror and thrill. It is securely strapped into a sleek, red roller coaster car with prominent black and silver safety restraints. The roller coaster track is a striking orange, twisting and turning against a backdrop of a vivid blue sky dotted with fluffy white clouds. In the distance, hints of a green landscape and other amusement park structures are visible. The scene is brightly illuminated by natural daylight, creating clear shadows and highlights.

Actions

The red roller coaster car, carrying the ghost, ascends a tall, orange lift hill with a rhythmic clanking sound.
The ghost character is secured in the roller coaster seat by black and silver restraints, its white sheet-like body fluttering slightly with the movement.
The roller coaster car reaches the crest of the hill, briefly silhouetted against the bright sky.
The roller coaster car plunges down a steep drop at high speed, causing the ghost's body to jiggle.
The roller coaster car navigates through several sharp curves and twists on the orange track.
The camera rapidly cuts between different angles, emphasizing the speed and motion of the ride and the ghost's reactions.

Dialogue

[Continuous, exaggerated, high-pitched cartoonish scream/yell from the ghost]
[Loud, distinct sounds of a roller coaster: rhythmic clanking, rapid whooshing as it moves along the track, and the clicking of the lift hill mechanism]

Cinematography

Mood

Exhilarating, thrilling, humorous, playful, and cartoonish.

CameraShot

Dynamic and fast-paced, incorporating a variety of angles. It features frequent close-up shots on the ghost's expressive face to highlight its reactions, intercut with wider mid-shots that showcase the ghost and the red roller coaster car in full motion. The camera actively tracks the roller coaster's movement, capturing its ascents, descents, and sharp turns, often from low angles looking up or eye-level perspectives, with rapid cuts to maintain energy.

Enough of this!

by @crazynonsense

59.5Kviews

1.3Klikes

66comments

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SceneDescription

The video starts with a low-angle shot from what appears to be a small robot or RC car traveling along the shoulder of a highway under an overcast sky. In the distance, a large red billboard with the text "SORA CONTENT VIOLATION" in white block letters is visible. Cars are driving on the highway, and an overpass is in the background. The RC car then fires a projectile at the billboard, causing it to explode and collapse in a cloud of smoke and debris. The RC car continues driving under an overpass, and the shot transitions to a forward-facing view from the car as it exits the overpass and drives along the highway.

Actions

A small robot/RC car is seen driving along the shoulder of a highway.
The robot/RC car aims a projectile launcher at a distant billboard.
The robot/RC car fires a projectile at the billboard.
The billboard explodes and collapses, emitting smoke and debris.
The robot/RC car continues driving under a highway overpass.
The robot/RC car emerges from under the overpass and continues driving down the highway.

Dialogue

[Sound of robot/RC car driving]
[Sound of projectile being fired]
[Explosion sound]
[Mechanical whirring/driving sounds]

Cinematography

Mood

Action-packed, humorous, and slightly rebellious.

CameraShot

Starts with a low-angle, eye-level shot from a moving robot/RC car, then shifts to a forward-facing, on-board view from the same vehicle. The camera is constantly in motion.

Real life Authentic raw VHS camcorder footage from the 2000s, recorded directly onto magnetic tape — not playback on a TV. The image has soft blur, muted colors, analog noise, faint static, and occasional horizontal tracking lines near the bottom. Slight handheld camera motion with natural jitter. Subtle chroma bleeding, color drift, and scanline flicker give it a genuine analog feel. Timestamp overlay with seconds in small white digital text is locked in the bottom-right corner, perfectly stabl

by @sspongee

59.5Kviews

907likes

14comments

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SceneDescription

A brightly lit, bustling Chuck E. Cheese-style party room in an indoor entertainment venue, captured with a nostalgic, grainy VHS aesthetic from November 2002. Long tables covered with white tablecloths stretch down the room, set with pizza boxes, plates, and drinks. Numerous children and some adults are seated at the tables, engaged in party activities. Colorful balloons (yellow, red, blue, purple) are tied to tables and float near the ceiling, alongside a banner that partially reads 'BIRTHDAY PARTY'. A mural depicting a cityscape or buildings decorates the walls. Confetti and paper scraps are visible on the grey carpeted floor. The central figure is the Chuck E. Cheese mascot, a grey mouse with a pink nose and large ears, wearing a purple t-shirt with a yellow 'C' and green pants with matching green shoes.

Actions

The Chuck E. Cheese mascot slowly walks towards the camera down the aisle between the tables.
The mascot stops in the center of the frame.
The mascot raises both hands in a cheerful greeting or waving gesture.
The mascot maintains the raised hands while slightly swaying its body.
The mascot lowers its hands briefly.
The mascot raises one hand and waves at the camera.
The mascot points directly at the camera with its right hand.
The mascot turns to its right and walks away from the camera, disappearing out of frame.
Children and adults are seated at tables, eating and watching the mascot.

Dialogue

Loud ambient sounds of children chattering and laughing.
General party commotion and indistinct background music.

Cinematography

Mood

Nostalgic, cheerful, lively, and celebratory, with an amateur home video feel.

CameraShot

Medium shot, transitioning to a medium-close up. Eye-level angle. The camera is mostly static but exhibits slight handheld shakiness typical of a camcorder recording, with a subtle zoom-in on the mascot. The video has a distinctive VHS tape quality with a visible timestamp.

revenge of the megan

56.8Kviews

633likes

16comments

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SceneDescription

A modern, bustling coffee shop with warm, inviting lighting and wooden accents. A male barista with short-cropped hair, a black t-shirt, and a dark green apron stands behind the counter, holding up a paper coffee cup. On the cup, a message is written in black marker. A young woman with shoulder-length brown hair, wearing a tan overcoat over a green ribbed sweater and a gold necklace, approaches the counter to claim her drink. The background shows other patrons seated at tables and blurred interior details of the cafe.

Actions

The barista holds up the coffee cup and reads the message 'Don't mess it up again' aloud with a confused expression.
The woman approaches the counter, looking slightly embarrassed but amused.
The woman points to herself and says 'That's me. It's Megan.'
The barista hands the cup to the woman.
The woman takes the cup and begins to walk away, looking back momentarily.
The camera follows the woman as she turns and walks into the crowded coffee shop.

Dialogue

Barista: 'Uh... Don't mess it up again?'
Woman: 'That's me. It's Megan.'
[Ambient sounds of a busy coffee shop: muffled chatter, clinking of cups, and background music]

Cinematography

Mood

Casual, urban, and slightly awkward yet warm.

CameraShot

Eye-level medium shots and close-ups, with smooth transitions between the barista and the customer. The focus shifts between the cup and the characters' faces to emphasize their interaction.

Follow @eSlop for more slop

56.6Kviews

937likes

6comments

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SceneDescription

A vibrant, outdoor street scene in India during the day. An elderly Indian man with weathered skin, grey hair, and a blue and white checkered scarf is performing a vigorous head massage on a younger Caucasian man. The younger man, wearing a blue denim jacket over a white t-shirt, is filming the experience as a selfie, smiling and laughing with a look of surprise. The background features a bustling street with parked motorcycles, shops with Hindi signage, and a yellow sign advertising 'HEAD MASAGE' for 80 rupees or 1 dollar. The lighting is bright and natural, suggesting a sunny afternoon.

Actions

The younger man holds the camera, smiling at the lens.
The elderly masseur begins a series of rapid, rhythmic slaps and rubs on the younger man's head.
As the massage progresses, the younger man's hair appears to 'disappear' or thin out rapidly through a surreal visual effect, transitioning from a full head of hair to nearly bald.
The younger man reacts with laughter and wide eyes, looking at the camera in disbelief.
The masseur continues the vigorous head massage, smiling and maintaining eye contact with the camera.
The younger man nods and expresses enjoyment as the massage concludes.

Dialogue

Younger man says: 'Here we go, ready? Ha! Whoa! Dude, my hair! Are you seeing this? Yeah, it's good! Relax... Oh, that actually feels awesome.'
Younger man says: 'One dollar, sir. Worth every penny.'
Environmental sounds: Distant chatter, motorbikes, and the rhythmic slapping sound of the massage.

Cinematography

Mood

Energetic, humorous, and culturally immersive.

CameraShot

Point-of-view (POV) selfie shot, handheld with slight natural movement, close-up on the two main subjects.

@shaq34diesel sitting n a throne with gorilla bodyguards in suits

by @shaq34diesel

56.6Kviews

817likes

27comments

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SceneDescription

Shaquille O'Neal is seated regally on an ornate golden throne with plush red velvet cushioning. He wears a cream-colored t-shirt featuring a graphic of Kobe Bryant's back in a Lakers #24 jersey, dark blue jeans, and black sneakers. Flanking the throne on either side are two imposing, realistic-looking gorillas, each impeccably dressed in a black suit, white shirt, and black tie. The setting is a grand, opulent room characterized by a rich red carpet, towering golden pillars, and dark red, possibly velvet, curtains or walls in the background. The scene is brightly and dramatically lit, creating a luxurious and theatrical atmosphere.

Actions

Shaquille O'Neal sits composedly on the throne, with his hands clasped together in front of him.
The two gorilla bodyguards stand perfectly still and stoic on either side of the throne.
The camera zooms in on the left gorilla.
The left gorilla subtly adjusts its black tie with its left hand.
The camera zooms out to focus on Shaquille O'Neal.
Shaquille O'Neal maintains direct eye contact with the camera, a subtle smile playing on his lips.

Dialogue

Shaquille O'Neal (voiceover): "They said I needed security."
Shaquille O'Neal (voiceover): "So I got the best ones."
Shaquille O'Neal (voiceover): "These guys don't play."
Shaquille O'Neal (voiceover): "You step up, they step up bigger."
Shaquille O'Neal (voiceover): "Me? I just sit back."
Shaquille O'Neal (voiceover): "Welcome to my throne."

Cinematography

Mood

Regal, powerful, assertive, and slightly surreal with a touch of humor.

CameraShot

The video opens with a static medium-wide shot establishing the entire scene. It then transitions to a static medium close-up of the left gorilla, focusing on its upper body and face. The camera then cuts back to a static medium shot of Shaquille O'Neal, framed from the chest up while he's seated. The overall perspective is at eye-level or slightly low-angle, conveying power and presence.

Follow @eSlop for more slop

56.1Kviews

1.0Klikes

21comments

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SceneDescription

A realistic and startling scene at a zoo gorilla enclosure. Inside the habitat, which features green grass, large gray rocks, and logs under an overcast sky, a large silverback gorilla is interacting with white stones on the ground. In the foreground, separated by a glass viewing window, a small crowd of visitors—including a person in a blue denim jacket, a child in a green hoodie, and a person in a red beanie—are watching intently and recording with smartphones. The white stones on the grass are arranged to spell out the word 'HELP'.

Actions

The silverback gorilla walks on its knuckles from the left, approaching the incomplete word on the ground.
The gorilla reaches down with its right hand and deliberately places the final white stone to complete the letter 'P', finishing the word 'HELP'.
The gorilla stands still, looking through the glass at the spectators after finishing the message.
The spectators hold their phones up to record, pointing at the ground and reacting with visible shock.

Dialogue

Woman gasps: 'Oh!'
Man says: 'Oh my god.'
Man says: 'He's actually spelling it.'
Man says: 'No way.'
Woman says: 'Look at the P! He just finished it.'
Man says: 'It says help.'
Man says: 'That's wild.'
Woman says: 'Oh my goodness.'

Cinematography

Mood

Surreal, shocking, and eerie, blending a mundane setting with a disturbing narrative twist.

CameraShot

Handheld, eye-level medium shot from the perspective of a spectator (POV), simulating a smartphone video recording.

The things you see in Venice 🦅

55.6Kviews

935likes

37comments

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SceneDescription

A brightly lit, sunny outdoor scene on a wooden boardwalk next to a beach. The main subject is a middle-aged man with a long beard and long hair, wearing a worn green jacket over a blue shirt and tattered brown pants. A large bald eagle with striking white head and tail feathers, and dark brown body, is perched on his left shoulder. The eagle's talons are visible gripping the jacket. In the background, there's a bustling beach scene with people, a Ferris wheel, and ocean in the distance. The sky is a clear, vibrant blue. The lighting is harsh and direct, creating strong shadows on the wooden planks.

Actions

The man stands relatively still, looking forward and occasionally glancing around.
The bald eagle remains perched on the man's shoulder, occasionally moving its head and looking around.
People in the background are walking, filming with their phones, and observing the man and the eagle.

Dialogue

Person asks: Is that a bald eagle?
Another person responds: On his shoulder?
Person confirms: Yeah. Oh my God.
Person asks: Excuse me, sir.
Another person exclaims: Look at the bird, that's wild.
Person says: I can't believe it.

Cinematography

Mood

Curious, awe-inspiring, and slightly unusual.

CameraShot

Medium shot, eye-level, static camera. The framing focuses on the man and the eagle, capturing their interaction with the surrounding environment.

day in the life of a balinese priestess

55.4Kviews

547likes

35comments

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SceneDescription

A cinematic montage showcasing traditional Balinese culture and spiritual practices. The video features a woman in her late 40s with a serene expression, dressed in traditional Balinese attire: a white lace kebaya, a yellow sash (sabuk), and a patterned sarong (kamen). The locations transition from lush green rice terraces at sunrise to ornate Balinese temples (Pura) with stone carvings and tiered roofs (Meru). Lighting is soft and golden, suggesting early morning or late afternoon, with a spiritual and peaceful atmosphere throughout. Details include incense smoke, colorful floral offerings (Canang Sari), and the sacred water of Tirta Empul.

Actions

The woman prays with her hands pressed together (Anjali Mudra) while holding a small flower offering.
She carefully prepares floral offerings in a woven tray.
The woman walks gracefully through a lush garden path carrying a basket of offerings on her head.
She sprinkles holy water over a crowd of devotees during a ceremony.
A close-up shows the woman with traditional rice markings (Bija) on her forehead and neck.
She assists another woman during a purification ritual at a holy water temple.
The woman walks along the narrow paths of vibrant green rice terraces with a volcano in the background during golden hour.
She lights incense sticks among many glowing candles and offerings at night.

Dialogue

[Soft, traditional Balinese Gamelan music playing in the background]
[Sound of flowing water]
[Gentle wind rustling through palm trees and rice stalks]
[Ambient sounds of a temple ceremony: distant chanting and bells]

Cinematography

Mood

Spiritual, serene, reverent, and culturally rich.

CameraShot

A mix of medium shots, close-ups, and sweeping wide-angle landscape shots. The camera movements are smooth, utilizing slow pans, gentle tracking shots, and static compositions to emphasize the tranquility of the scenes.

@crystal.party saw this dance on Reddit

by @notbobbylee

54.7Kviews

984likes

40comments

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SceneDescription

A confident blonde woman with a radiant smile is posing in a Cleopatra-inspired costume against a stark white background. She is wearing a floor-length white dress with a thigh-high slit, a gold belt, and golden armbands. Her most striking accessory is a blue and gold striped nemes headdress adorned with golden cat ears and a golden uraeus cobra symbol featuring a turquoise jewel. The lighting is bright and even, highlighting her features and the costume's details.

Actions

The woman stands with her arms crossed, smiling directly at the camera.
The camera slowly zooms in, transitioning from a full body shot to a close-up of her face, maintaining her smile.
Her eyes occasionally glance downward and then back up, maintaining eye contact with the camera.

Dialogue

[Upbeat traditional Indian music playing]

Cinematography

Mood

Joyful, confident, and theatrical.

CameraShot

Full body shot with a slow zoom into a close-up of her face. The camera is static at both the wide shot and the close-up.

@autismnews

by @autismnews

53.4Kviews

1.1Klikes

30comments

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SceneDescription

A humorous and high-energy chase scene on a city sidewalk during a bright, sunny day. The primary subject is a fluffy raccoon running upright on its hind legs, clutching a large stack of yellow-wrapped fast-food burgers (McDonald's branding) to its chest with its front paws. In the background, a police officer in a dark blue uniform is seen in a blurred, low-depth-of-field pursuit, trailing behind the raccoon. The setting is a clean, urban environment with stone-faced buildings and a tree-lined street visible in the distance. The lighting is natural and bright, emphasizing the raccoon's thick fur and the vibrant yellow of the food wrappers.

Actions

The raccoon runs quickly down the sidewalk on its hind legs.
The raccoon looks over its shoulder briefly towards the officer while maintaining its grip on the burgers.
The police officer runs in the background, appearing to chase the raccoon.
The raccoon's tail and fur bounce with each stride as it flees.

Dialogue

[Rapid pattering of feet on pavement]
[Muffled urban street noise]
[Sound of wind rushing past the camera]

Cinematography

Mood

Humorous, energetic, and whimsical.

CameraShot

Low-angle, tracking shot that stays close to the raccoon as it runs, creating a sense of speed and urgency. The camera uses a shallow depth of field to keep the raccoon in sharp focus while blurring the officer and the background.

Pastor is divinely inspired 👱🏻‍♀️ @cameoed

by @cameoed

52.9Kviews

996likes

37comments

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SceneDescription

A slightly overcast, outdoor daytime scene in front of a white church with green shutters and a green roof. A white and green sign for "First Baptist Bethel" stands prominently, displaying the message "SYDNEY SWEENEY IS HOT BUT HELL IS HOTTER." A young man with curly dark hair and a light blue hoodie holds a microphone towards an older man in a white shirt, khaki pants, and a baseball cap who is holding a dark book (likely a Bible). The ground is covered with reddish-brown mulch. A road and trees are visible in the background.

Actions

The young man holds a microphone towards the older man.
The older man stands still, holding a book, and speaks.
The young man looks at the older man while listening.
The camera cuts to a close-up of the young man's face, who looks directly at the camera with a neutral expression.

Dialogue

Young man: Why did you choose this message this week?
Older man: Honestly, she's been on my mind a lot lately.
Older man: There ain't much to it.

Cinematography

Mood

Humorous, casual, conversational.

CameraShot

Medium shot, eye-level, static. The second shot is a close-up of the young man's face, also static.

beam me up, scotty remixing @choiseoyun01